You are not logged in.
kaikki paitsi mårtenson on turhaa.
Ymmärrän Lassea hyvin. Tuo cover-levy ei kummoinen ole ja mielestäni siinä on oikeasti vähän liikaa sellaista camp-naureskelua sivussa mukana, vaikka Mårtenson on oikeasti kova jäbä.
Tosin kieltämättä käy sääliksi monia projektiin osallistuvia. Varmaan huikea tunnelma huvilateltassa, kun kaikki paikallaolijat varmasti tietävät, ettei bileiden "sankari" komppaa hommaa.
Tero saatana, s'olet gay!
Offline
Maailman ehkä paras bändi soittaa maailman ehkä toista parasta bändiä:
http://www.youtube.com/watch?v=mt4tA1fKnK8
Tero saatana, s'olet gay!
Offline
[quote:e96d3fae58="forssto"]Maailman ehkä paras bändi soittaa maailman ehkä toista parasta bändiä:
http://www.youtube.com/watch?v=mt4tA1fKnK8[/quote:e96d3fae58]´
korjaappa linkkis
Ei mitään muttia, kaikki boikottiin saatana!!
Security Fee:n hinnalla sisään!
Offline
En ole kyseistä levyä kuullut, enkä kyllä kuuntele jos porukka on ottanut homman hah hah-meiningillä. Camp on epävarmojen ihmisten pelleilyä
[quote:677f1133fa="Jope Ruonansuu"]mä taidan torkahtaa
lasse mårtensonin selän taa ja kun
pieru haisee niin taas
tieheni käyn[/quote:677f1133fa]
tolla levyllä ei tosin taida tuota "king of teh road" -biisiä olla...
Karhut feissiin kuule tää on se reitti hä ...ja kerran eräs naarassusi melkein mun kengille kusi
Offline
"The Smashing Pumpkins are currently in the recording studio with legendary producer Roy Thomas Baker (Queen, The Cars, The Darkness), at work on their first new album since 1999."
Ei mitään muttia, kaikki boikottiin saatana!!
Security Fee:n hinnalla sisään!
Offline
60-luvun parhaat biisit pitsihaarukan mukaan (aiheesta vois tietty tehdä oman otsikon jos jollain mielenkiintoa riittää).
Karhut feissiin kuule tää on se reitti hä ...ja kerran eräs naarassusi melkein mun kengille kusi
Offline
60-luvun parhaat biisit pitsihaarukan mukaan (aiheesta vois tietty tehdä oman otsikon jos jollain mielenkiintoa riittää).
Mitä vittua, Walk On By sijalla 198.
Minun ihana hevonen,
Et poni enää,
Juoksentelemaan miehen selkää,
Kuin junan yöllä.
Offline
[quote:e925d9d66c="psychocandy"]60-luvun parhaat biisit pitsihaarukan mukaan (aiheesta vois tietty tehdä oman otsikon jos jollain mielenkiintoa riittää).
Mitä vittua, Walk On By sijalla 198. [/quote:e925d9d66c]
Sama, Kingsmenin Louie Louie jossain 150. ulkopuolella.
You know, if it was a regular salad I wouldn't have said anything. But you had to have the BIG SALAD.
Offline
en edes yritä tonne kotikoneella, duunissakaan en torstaina jaxanu odotella noiden sivujen latautumista, mut jos joku jehu osais postaa koko top-200:n (jos "se" on jo valmis) tänne niin ois sika ihQuu. pelkkä lista siis.
ai ei onnistu? ette vaan osaa...
Karhut feissiin kuule tää on se reitti hä ...ja kerran eräs naarassusi melkein mun kengille kusi
Offline
Tälläsenään ton pystyy postaamaan:
200. The Kinks: "Sunny Afternoon"
(Ray Davies)
1966
Chart info: U.S. (#14), UK (#1)
Available on Face to Face
While already rightly revered as bratty garage rockers by the time of this track's release, the Kinks truly excelled when singer Ray Davies took a more observational, wry approach to songwriting-- and "Sunny Afternoon" is one of his wriest on record. As the song's ground-down, sadsack narrator, Davies sounds utterly exhausted by the task of telling his miserable tale, backed by a descending chromatic bassline that nearly flatlines by song's end. --Adam Moerder
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
199. Nina Simone: "Black Is the Color of My True Love's Hair"
(Traditional)
1964
Chart info: U.S. (N/A), UK (N/A)
Available on Anthology
The famous Celtic ballad begins with a lustful list of physical attributes-- a true love's hair, face, eyes, and hands-- but Nina Simone's voice is less than interested in the material world. She emits a spectral trill, as confident and crestfallen as a death-row inmate. Even the skeletal piano feels too heavy for Simone's vaporous devotion. --Alex Linhardt
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
198. Dionne Warwick: "Walk On By"
(Burt Bacharach/Hal David)
1964
Chart info: U.S. (#6), UK (#9)
Available on The Very Best of Dionne Warwick
People talk about "perfect pop" and I generally have no idea what they're talking about. "Walk On By" is perfect pop, though, in the strictest sense: not a hair is out of place, no smudged eyeliner, nothing to taint its inherent loveliness. Any Bacharach/Warwick collaboration is a pick hit to click, but this is the most famous for a reason. Poised to the brink of formality, the song moves with the utterly unhurried grace of a woman in a ball gown. Perfect composure is one way to keep the tears inside, after all. -- Jess Harvell
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
197. Charles Mingus: "Solo Dancer"
(Charles Mingus)
1963
Chart info: U.S. (N/A), UK (N/A)
Available on The Black Saint and the Sinner Lady
The Black Saint and the Sinner Lady is regularly cited as a masterpiece of jazz orchestration, but that hardly accounts for the sheer fury of Mingus' creativity. "Solo Dancer" is like a jazz diagram of the psyche or a chronology of the 20th century: a swarming assembly of neon alto, cracked trumpets, chromatic discord, and prolonged lyricism. --Alex Linhardt
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
196. Irma Thomas: "Time Is on My Side"
(Norman Meade/Jerry Ragovoy)
1964
Chart info: U.S. (N/A), UK (N/A)
Available on Sweet Soul Queen of New Orleans: The Irma Thomas Collection
Though Thomas is widely acknowledged as the Soul Queen of Nola, I've always thought she never got a fair shake (e.g. neither "Ruler of My Heart" nor "Don't Mess With My Man" made this list). The Rolling Stones eventually made this song a smash, but all they did was jack Thomas' steez in full, changing nary a note, save one small thing: They could never belt like her. -- Sean Fennessey
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
195. James Brown: "Night Train (Live at the Apollo)"
(Jimmy Forrest/Lewis Simpkins/Oscar Washington)
1963
Chart info: U.S. (#35), UK (N/A)
Available on Live at the Apollo
Sure, the official version (released in 1962) moves and grooves just fine, especially with Brown doing double duty on the mic and on the drums. But compared to what's on Live at the Apollo, it's doing the standing still. On the greatest stage in the world, Mr. Star Time goes up and down the eastern seaboard in record time, shouting out the stops the train ain't stopping at, while the band throws more and more coal into the engine. --David Raposa
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
194. The Foundations: "Build Me Up Buttercup"
(Michael d'Abo/Tony Macaulay)
1968
Chart info: U.S. (#3), UK (#2)
Available on Baby Now That You've Found Me
This is the stuff mixtapes are made of: an infectiously catchy melody that sugarcoats a protagonist's romantic plight, and lyrics that instantaneously connect with red-blooded love birds. The Foundations' career may have burned short and hot, but their pop chops and puppy-dog pathos remain timeless. --Adam Moerder
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
193. Johnny and June Carter Cash: "Jackson"
(Gaby Rogers)
1967
Chart info: U.S. (N/A), UK (N/A)
Available on The Essential Johnny Cash
About a haranguing wife that, in the fourth verse, transforms into a creature far more badass than her "big talkin'" husband, "Jackson" puts to song the time-honored tradition of doing crazy things to fix a crazy relationship. The story is almost as romantic as that of the two lovers who sing it. --Zach Baron
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
192. Alton Ellis: "I'm Still in Love With You"
(Alton Ellis)
1967
Chart info: U.S. (N/A), UK (N/A)
Available on Studio One Story
With Alton Ellis crying eternal affection above a gentle, stuttering riddim, this is the perfect starry-eyed Jamaican wedding song, right? Not quite. "You don't know how to love me, not even how to kiss me-- I just don't know why
" he sneaks in, slyly mixing tragedy in with the love-drunk refrain. Unrequited love has rarely seemed so tantalizing. --Ryan Dombal
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
191. The Cannonball Adderley Quintet: "Mercy, Mercy, Mercy"
(Joe Zawinul)
1966
Chart info: U.S. (#11), UK (N/A)
Available on Mercy, Mercy, Mercy: Live at "The Club"
It wasn't really recorded at "The Club"-- that was just a trick to get some publicity for a new venue on Chicago's South Side. Instead, Adderley got some friends together in the studio and plied them with drinks while the band cut this bit of surging, euphoric gospel. Every whoop, though, is true and from the heart. --Mark Richardson
Offline
190. Leonard Cohen: "So Long, Marianne"
(Leonard Cohen)
1968
Chart info: U.S. (N/A), UK (N/A)
Available on The Songs of Leonard Cohen
"So Long, Marianne's acoustic strum and weepy concertina crank up once Cohen weighs his conflicting desires for shelter and freedom, establishing a recursive loop of lamentation and joy. Love is a filament of web binding him to a ledge-- stronger than its fragile appearance would imply; it's easier stretched than severed. --Brian Howe
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
189. The Sonics: "Strychnine"
(Gerry Roslie)
1965
Chart info: U.S. (N/A), UK (N/A)
Available on Here Are the Sonics
A song about drinking rat poison and liking it more than either water or wine. Garage-rock proto-punks the Sonics-- without their raw fuzzed-buzz and Gerry Roslie's roll'n'roll howl-- played rock that couldn't help but shock and awe. --Zach Baron
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
188. Tyrannosaurus Rex: "Debora"
(Marc Bolan)
1968
Chart info: U.S. (N/A), UK (#34)
Available on The Definitive Tyrannosaurus Rex
Pre-glam, pre-T. Rex Marc Bolan recorded this hand-drummed Lord of the Rings Brit folk spasmodica. Among other things, it's another great example of Bolan's unmistakable influence on Devendra Banhart and the Hairy Fairy crew. The jumpy verbal string of "Dug a re dug n dug a re dug re dug" and lines like "O Debora, always dress like a conjurer/ It's fine to see your young face hiding/ Neath the stallion that I'm riding" confirm why Bolan named his book of poetry a very Danzig sounding, The Warlock of Love. But really, he's Donovan with chops. --Brandon Stosuy
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
187. The Walker Brothers: "The Sun Ain't Gonna Shine Anymore"
(Bob Crewe/Bob Gaudio)
1966
Chart info: U.S. (#13), UK (#1)
Available on After the Lights Go Out
Before Scott Walker was a shivery avant-gardist, he was a shivery crooner pinup, and this spaghetti Western anthem was his band's biggest hit. Like the Righteous Brothers by way of the Free Design and Ennio Morricone, this was light years away from his current coordinates, but no less cinematic. --Mark Pytlik
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
186. The Hollies: "Bus Stop"
(Graham Gouldman)
1966
Chart info: U.S. (#5), UK (#5)
Available on 30th Anniversary Collection 1963-1993
Never mind that "Bus Stop" evokes a gentler counterculture in which the youth of the nation enacted mating rituals-- attraction, pairing, commitment-- underneath a pedestrian umbrella. From the first sprinkles of acoustic guitar to the stormcloud minor-chords, from the desperate harmonies of the chorus to the sweet idea of falling in love out of the rain, this Hollies hit is all hook. --Stephen M. Deusner
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
185. The Temptations: "Get Ready"
(Smokey Robinson)
1966
Chart info: U.S. (#29), UK (#10)
Available on The Ultimate Collection
On the verses, "Get Ready" is a tense and unforgiving stomper, but the chorus turns the song into a sweeping drama, a transcendent whoop of joy-- and throughout it all, Eddie Kendricks' angelic falsetto floats overhead like a balloon caught in a gust of wind. --Tom Breihan
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
184. James Brown: "Mother Popcorn (You Got to Have a Mother for Me)"
(James Brown/Pee Wee Ellis)
1969
Chart info: U.S. (#11), UK (N/A)
Available on Star Time
No words can describe this song's throbbing physicality better than the singer's own "Jump back baby, James Brown's gonna do his thing." That "thing" involves a hysterical performance that switches from a sexualized grunt to a bizarre, high-pitched whine without warning. And with a horn chart snaking around a squirmy guitar line, Brown's band does its thing, too. --Stephen M. Deusner
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
183. Bobby Darin: "Beyond the Sea"
(Jack Lawrence/Charles Trenet)
1960
Chart info: U.S. (#6), UK (#8)
Available on The Ultimate Bobby Darin
The aural definition of "wistful," the lyrics to "Beyond the Sea" scan as if there should be doubt that the song's distant lovers will meet again. In his reading of the song, Darin doesn't sound so sure; even when his band gets raucous, he sits it out and comes back as melancholy as ever. --Joe Tangari
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
182. Patsy Cline: "She's Got You"
(Hank Cochran)
1962
Chart info: U.S. (#14), UK (N/A)
Available on 12 Greatest Hits
Money can't buy love, but roving hands can steal it, and on this countrypolitan waltz, Cline sounds irrevocably bereaved, running through possessions she has, and the precious one that no longer belongs to her. I think there's a piano in my beer. --Marc Hogan
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
181. France Gall: "Laisse Tomber les Filles"
(Serge Gainsbourg)
1964
Chart info: U.S. (N/A), UK (N/A)
Available on Poupée de Son
In 1964, Gall was a 17-year-old ingénue, but her mentor-- a promising 36-year-old lecher named Serge Gainsbourg-- turned garish jailbait euphemisms into an art form. Accompanied by swooning trumpets and speakeasy bass, Gall makes her way through a tawdry jukebox-slapping cabaret populated by alcoholics and nymphettes. If pop music is supposed to combine virginity and carnality, "Laisse Tomber les Filles" might well be the pinnacle of yé-yé ecstasy. --Alex Linhardt
Spämmäänkö lisää..?
Offline
meinasin että jos ihan pelkkä biisit ilman sepustuksia (tietty se vaatii vähän työtä), tai sit erilliseen ketjuun, thänks.
Karhut feissiin kuule tää on se reitti hä ...ja kerran eräs naarassusi melkein mun kengille kusi
Offline
taitaa mennä tuolla tavalla liikaa aikaa ja vaivaa..
Offline
taitaa mennä tuolla tavalla liikaa aikaa ja vaivaa..
niinpä, pientä notepad-kikkailua saattaisi vaatia. mut käyn maanantaina tsekkaamassa paremmalla yhteydellä.
Karhut feissiin kuule tää on se reitti hä ...ja kerran eräs naarassusi melkein mun kengille kusi
Offline
[quote:d4cc111c2d="shanks"]taitaa mennä tuolla tavalla liikaa aikaa ja vaivaa..
niinpä, pientä notepad-kikkailua saattaisi vaatia. mut käyn maanantaina tsekkaamassa paremmalla yhteydellä.[/quote:d4cc111c2d]
Kun kerran minulla ei mitään seuraelämää ole, niin voisin periaatteessa illalla askarrella listan tänne.
Minun ihana hevonen,
Et poni enää,
Juoksentelemaan miehen selkää,
Kuin junan yöllä.
Offline
Kopioin eräältä toiselta foorumilta:
200. The Kinks: "Sunny Afternoon"
199. Nina Simone: "Black Is the Color of My True Love's Hair"
198. Dionne Warwick: "Walk On By"
197. Charles Mingus: "Solo Dancer"
196. Irma Thomas: "Time Is on My Side"
195. James Brown: "Night Train (Live at the Apollo)"
194. The Foundations: "Build Me Up Buttercup"
193. Johnny and June Carter Cash: "Jackson"
192. Alton Ellis: "I'm Still in Love With You"
191. The Cannonball Adderley Quintet: "Mercy, Mercy, Mercy"
190. Leonard Cohen: "So Long, Marianne"
189. The Sonics: "Strychnine"
188. Tyrannosaurus Rex: "Debora"
187. The Walker Brothers: "The Sun Ain't Gonna Shine Anymore"
186. The Hollies: "Bus Stop"
185. The Temptations: "Get Ready"
184. James Brown: "Mother Popcorn (You Got to Have a Mother for Me)"
183. Bobby Darin: "Beyond the Sea"
182. Patsy Cline: "She's Got You"
181. France Gall: "Laisse Tomber les Filles"
180. The Barbarians: "Moulty"
179. Bembeya Jazz National: "Armée Guinéenne"
178. Otis Redding: "I've Been Loving You Too Long (To Stop Now)"
177. The Tammys: "Egyptian Shumba"
176. MC5: "Kick Out the Jams"
175. Loretta Lynn: "Don't Come Home a Drinkin' (With Lovin' on Your Mind)"
174. Darlene Love: "Christmas (Baby Please Come Home)"
173. Phil Ochs: "I Ain't Marching Anymore"
172. Archie Bell & the Drells: "Here I Go Again"
171. Neil Diamond: "Sweet Caroline"
170. Françoise Hardy: "Tous Les Garcons et Les Filles"
169. Stevie Wonder: "Uptight (Everything's Alright)"
168. Albert Ayler: "Ghosts"
167. Stone Poneys: "Different Drum"
166. The Flirtations: "Nothing But a Heartache"
165. The Monks: "Monk Time"
164. Frank Sinatra: "It Was a Very Good Year"
163. Cromagnon: "Caledonia"
162. The Who: "I Can See For Miles"
161. The Zombies: "She's Not There"
160. Os Mutantes: "A Minha Menina"
159. Pink Floyd: "Astronomy Domine"
158. P.P. Arnold: "The First Cut Is the Deepest"
157. Aretha Franklin: "Do Right Woman, Do Right Man"
156. Loretta Lynn: "Fist City"
155. Creedence Clearwater Revival: "Bad Moon Rising"
154. The Kingsmen: "Louie Louie"
153. Lorraine Ellison: "Stay With Me"
152. The Association: "Never My Love"
151. David Axelrod: "The Human Abstract"
150. Bob Dylan: "It's Alright Ma, I'm Only Bleeding"
149. Archie Bell & the Drells: "Tighten Up"
148. The Velvet Underground: "Sister Ray"
147. Nina Simone: "Sinnerman"
146. Terry Riley: "In C"
145. Tammy Wynette: "Stand by Your Man"
144. Bobbie Gentry: "Ode to Billie Joe"
143. Scott Walker: "Big Louise"
142. Procol Harum: "A Whiter Shade of Pale"
141. The Supremes: "Baby Love"
140. Donovan: "Season of the Witch"
139. The Impressions: "People Get Ready"
138. The Righteous Brothers: "Unchained Melody"
137. The Dixie Cups: "Iko Iko"
136. Jimi Hendrix: "Voodoo Child (Slight Return)"
135. The Kinks: "Shangri-La"
134. Brian Wilson: "Surf's Up (solo piano version)"
133. The Monkees: "I'm a Believer"
132. Louis Armstrong: "What a Wonderful World"
131. The Byrds: "I'll Feel a Whole Lot Better"
130. John Coltrane: "My Favorite Things"
129. Harry Nilsson: "Everybody's Talkin'"
128. Buffalo Springfield: "For What It's Worth"
127. George Jones: "She Thinks I Still Care"
126. Led Zeppelin: "What Is and What Should Never Be"
125. Miles Davis: "Shhh/Peaceful"
124. The Velvet Underground: "Venus in Furs"
123. The Supremes: "I Hear a Symphony"
122. Patsy Cline: "I Fall to Pieces"
121. Glen Campbell: "Wichita Lineman"
120. ? and the Mysterians: "96 Tears"
119. Silver Apples: "Oscillations"
118. The Bobby Fuller Four: "I Fought the Law"
117. Ben E. King: "Stand By Me"
116. Jefferson Airplane: "White Rabbit"
115. The Kinks: "Victoria"
114. Nancy Sinatra: "These Boots Are Made for Walkin'"
113. The Easybeats: "Friday on My Mind"
112. Steve Reich: "It's Gonna Rain"
111. Stevie Wonder: "I Was Made to Love Her"
110. The Four Tops: "It's the Same Old Song"
109. The Byrds: "Eight Miles High"
108. Harry Nilsson: "One"
107. Bob Dylan: "Visions of Johanna"
106. Desmond Dekker & the Aces: "007 (Shanty Town)"
105. Simon & Garfunkel: "America"
104. King Crimson: "21st Century Schizoid Man"
103. Merle Haggard: "Mama Tried"
102. Sly & the Family Stone: "Everyday People"
101. Pink Floyd: "See Emily Play"
100. The Isley Brothers: "It's Your Thing"
99. Jimi Hendrix: "All Along the Watchtower"
98. The Zombies: "Care of Cell 44"
97. The Maytals: "Pressure Drop"
96. The Shangri-Las: "Give Him a Great Big Kiss"
95. Sam Cooke: "Cupid"
94. Simon & Garfunkel: "Mrs. Robinson"
93. Can: "Yoo Doo Right"
92. Nick Drake: "River Man"
91. The Who: "Substitute"
90. The Angels: "My Boyfriend's Back"
89. The Stooges: "1969"
88. The Kinks: "You Really Got Me"
87. The Miracles: "The Tracks of My Tears"
86. The Left Banke: "Walk Away Renee"
85. Roy Orbison: "Crying"
84. The Rolling Stones: "You Can't Always Get What You Want"
83. Neil Young & Crazy Horse: "Down by the River"
82. Elvis Presley: "Suspicious Minds"
81. Sam & Dave: "Hold On, I'm Comin'"
80. Bob Dylan: "Subterranean Homesick Blues"
79. Gal Costa: "Baby"
78. Sly & The Family Stone: "I Want to Take You Higher"
77. The Velvet Underground: "Heroin"
76. BBC Radiophonic Workshop: "Doctor Who (Original Theme)"
75. Simon & Garfunkel: "The Boxer"
74. James Brown & the Famous Flames: "Papa's Got a Brand New Bag"
73. Bob Dylan: "Don't Think Twice, It's All Right"
72. Van Morrison: "Sweet Thing"
71. Jimi Hendrix: "Manic Depression"
70. Patsy Cline: "Crazy"
69. Dick Dale & the Del-Tones: "Misirlou"
68. The Shirelles: "Will You Love Me Tomorrow"
67. Neil Young & Crazy Horse: "Cinnamon Girl"
66. The Paragons: "The Tide Is High"
65. The Mamas & the Papas: "California Dreamin'"
64. Del Shannon: "Runaway"
63. Stan Getz & Joao Gilberto featuring Antonio Carlos Jobim: "The Girl From Ipanema"
62. The Rolling Stones: "Street Fighting Man"
61. The Supremes: "You Keep Me Hangin' On"
60. Sly & the Family Stone: "Hot Fun in the Summertime"
59. The Velvet Underground: "Sunday Morning"
58. The Beatles: "I Want to Hold Your Hand"
57. Tommy James & the Shondells: "Crimson and Clover"
56. Serge Gainsbourg and Brigitte Bardot: "Bonnie and Clyde"
55. Jackie Wilson: "(Your Love Keeps Lifting Me) Higher and Higher"
54. The Monkees: "Daydream Believer"
53. Led Zeppelin: "Whole Lotta Love"
52. Ray Charles: "Georgia on My Mind"
51. Ike & Tina Turner: "River Deep Mountain High"
50. Love: "Alone Again Or"
49. Lee Hazlewood & Nancy Sinatra: "Some Velvet Morning"
48. David Bowie: "Space Oddity"
47. The Beatles: "Eleanor Rigby"
46. The Creation: "Making Time"
45. Dusty Springfield: "Son of a Preacher Man"
44. The Supremes: "Where Did Our Love Go"
43. Vince Guaraldi Trio: "Linus & Lucy"
42. The Band: "The Night They Drove Old Dixie Down"
41. Leonard Cohen: "Suzanne"
40. The Zombies: "This Will Be Our Year"
39. The Rolling Stones: "Sympathy for the Devil"
38. The Meters: "Cissy Strut"
37. Simon & Garfunkel: "The Sound of Silence"
36. 13th Floor Elevators: "You're Gonna Miss Me"
35. Johnny Cash: "Ring of Fire"
34. The Who: "The Kids Are Alright"
33. James Brown & the Famous Flames: "It's a Man's Man's Man's World"
32. Ennio Morricone: "The Good, the Bad, and the Ugly (Main Theme)"
31. Nico: "These Days"
30. The Shangri-Las: "Leader of the Pack"
29. The Kinks: "Waterloo Sunset"
28. Otis Redding: "(Sittin' on) The Dock of the Bay"
27. The Velvet Underground: "I'm Waiting for the Man"
26. The Beatles: "I Am the Walrus"
25. The Rolling Stones: "Paint It Black"
24. The Supremes: "You Can't Hurry Love"
23. Etta James: "At Last"
22. Marvin Gaye: "I Heard It Through the Grapevine"
21. The Beach Boys: "Good Vibrations"
20. The Shangri-Las: "Out in the Streets"
19. The Beatles: "Tomorrow Never Knows"
18. The Crystals: "Then He Kissed Me"
17. Creedence Clearwater Revival: "Fortunate Son"
16. The Stooges: "I Wanna Be Your Dog"
15. Aretha Franklin: "Think"
14. The Beach Boys: "Don't Worry Baby"
13. The Band: "The Weight"
12. The Rolling Stones: "Gimme Shelter"
11. Led Zeppelin: "Dazed and Confused"
10. Desmond Dekker & The Aces: "Israelites"
9. The Who: "I Can't Explain"
8. Johnny Cash: "Folsom Prison Blues (Live at Folsom Prison)"
7. The Beach Boys: "Wouldn't It Be Nice"
6. The Ronettes: "Be My Baby"
5. The Beatles: "A Day in the Life"
4. Bob Dylan: "Like a Rolling Stone"
3. Sam Cooke: "A Change Is Gonna Come"
2. The Jackson 5: "I Want You Back"
1. The Beach Boys: "God Only Knows"
Offline
Jumala vain yksin tietää minkä vuoksi God Only Knows on yleisesti niin korkealle arvostettu. Hieno biisihän se, mutta löytyy rantapojilta parempiakin veisuja.
Offline
see emily play ei mahtunu top-sataseen
voishan tosta juttua keksiä mut en nyt jaxa, ainakaan vielä.
Karhut feissiin kuule tää on se reitti hä ...ja kerran eräs naarassusi melkein mun kengille kusi
Offline
Missä pelaa forsston mainostama Complex tms. myspacessa? EI LÖYTYNYT!
Phinnin bändi siis hakusessa
Jouko Piho wrote: Kirjoitan täällä mielelläni, koska täällä porukka on fiksua ja asiallista verrattuna PIFin väkeen, josta osa on aivan liian alatyylisiä ja räävittömiä pilkkaajia.
Offline
[quote:83f578ec50="Moronica"]Missä pelaa forsston mainostama Complex tms. myspacessa? EI LÖYTYNYT!
Phinnin bändi siis hakusessa[/quote:83f578ec50]
Tytöllä on nyt vajaakäytöllä tuo lontoonkielisen data suodatin.
Pelaa nimellä "Kompleksi".
http://www.myspace.com/kompleksi
Tero saatana, s'olet gay!
Offline
[quote:d02aed23ad="forssto"]Tytöllä on nyt vajaakäytöllä tuo lontoonkielisen data suodatin.
Pelaa nimellä "Kompleksi".
http://www.myspace.com/kompleksi[/quote:d02aed23ad]
Kompleksi on silkkaa neroutta. Moscow 1980, Porno Tampere, Spiders in the Sky... uuh.
Lapsena tykkäsin seurata kun kanat paistuivat isossa karusellissa kaupan lihatiskillä.
Offline
[quote:471fc0bece="noiseidea"][quote:471fc0bece="forssto"]Tytöllä on nyt vajaakäytöllä tuo lontoonkielisen data suodatin.
Pelaa nimellä "Kompleksi".
http://www.myspace.com/kompleksi[/quote:471fc0bece]
Kompleksi on silkkaa neroutta. Moscow 1980, Porno Tampere, Spiders in the Sky... uuh.[/quote:471fc0bece]
love missile F1-11... oma topicci?
(ja kuka kutsuisi phinnin foorumille asiakirjoittamaan?)
Karhut feissiin kuule tää on se reitti hä ...ja kerran eräs naarassusi melkein mun kengille kusi
Offline
Love Missile F1-11 on Sigue Sigue Sputnikin kipale.
hyvä että siellä ollaan skarppeina
Karhut feissiin kuule tää on se reitti hä ...ja kerran eräs naarassusi melkein mun kengille kusi
Offline
[quote:fdd4ff7135="forssto"]
Tytöllä on nyt vajaakäytöllä tuo lontoonkielisen data suodatin.
Pelaa nimellä "Kompleksi".
http://www.myspace.com/kompleksi[/quote:fdd4ff7135]
Heti alkoi poika tytöttelemään
Jouko Piho wrote: Kirjoitan täällä mielelläni, koska täällä porukka on fiksua ja asiallista verrattuna PIFin väkeen, josta osa on aivan liian alatyylisiä ja räävittömiä pilkkaajia.
Offline
[quote:fada18ccd8="Moronica"][quote:fada18ccd8="forssto"]
Tytöllä on nyt vajaakäytöllä tuo lontoonkielisen data suodatin.
Pelaa nimellä "Kompleksi".
http://www.myspace.com/kompleksi[/quote:fada18ccd8]
Heti alkoi poika tytöttelemään[/quote:fada18ccd8]
Potki sitä munille.
Lapsena tykkäsin seurata kun kanat paistuivat isossa karusellissa kaupan lihatiskillä.
Offline
Tekisi mieli kirjoittaa Cat Power -otsikkoon joku onelineri, mutten jaksa etsiä sitä. spåm
Taidan myös pitää Lily Allenin sinkusta ja muistaakseni albumistakin.
turston wrote:
Shanksinhan kanssa tässä sovittiin vähän aikaa sitten että kesällä vetäistään läpi kymmenottelu.
Offline
Taidan myös pitää Lily Allenin sinkusta ja muistaakseni albumistakin.
topiccia pydeen, ainakin se smile on aivan mahtava, kuulostaa vähän cocteau twinsiltä, jotenkin.
Karhut feissiin kuule tää on se reitti hä ...ja kerran eräs naarassusi melkein mun kengille kusi
Offline
[quote:88c76ccdf7="mesta.net"]Uutistoimisto AP:n mukaan Paris Hiltonin debyyttilevyjä on tärvelty brittiläisissä levykaupoissa.
Tiettävästi asialla on ollut aiemmin taidegalleroita sabotoinut varjoartisti Banksy. Kaikkiaan 48:ssa eri myymälässä alkuperäisen cd:n tilalle on vaihdettu Banksyn levy, joka sisältää hänen omia uudelleen miksauksiaan. Levyjen kansiin on liimattu pieniä tarroja, joissa on kolmen kappaleen nimet: "miksi olen kuuluisa?", "mitä minä olen tehnyt?" ja "miksi olen olemassa?"
HMV-levykauppaketjun edustajan mukaan eri puolilta Britanniaa on on löytynyt yli 500 "käpälöityä" levyä.
- Levyt on tehty taitavasti. Asialla on ollut ammattilainen, edustaja toteaa.[/quote:88c76ccdf7]
This must be what jail / I will scratch
Offline
[quote:f875a1aab9="Bedderi"]Taidan myös pitää Lily Allenin sinkusta ja muistaakseni albumistakin.
topiccia pydeen, ainakin se smile on aivan mahtava, kuulostaa vähän cocteau twinsiltä, jotenkin.
[/quote:f875a1aab9]
Joskus yritin vähän kuunnella tuota, ei oikein iskenyt.
Offline