Sublime Frequencies

psykokarkki · 31.03.2010 10:07

tässähän ne sitten onkin 2000-luvun ensimmäisen vuosikymmenen parhaat levyt:

eri asia onko kaikista parhaat sublime frequencies -julkaisut mutta saattaa jopa olla. nämä kuitenkin julkaistu muistaakseni 2005 kumpikin, ja silloin tuoreita äänityksiä, tuoreita biisejä, ja aika harvaa levyä on loppupeleissä tullut kuunneltua yhtä paljon kuin näitä kahta. mutta miten pitäisi suhtautua levyyn, joka on koottu suoraan radiosta äänitetyistä jutuista varsin hurjalla leikkaa - liimaa -periaatteella. onko se itsenäinen taideteos vai mixtape vai mikä lieneekin, sisältö on kuitenkin harvinaisen hurjaa tykitystä. tyylilajit vaihtuu nuorisojuontajien kikatuksesta räppiin ja lasten laulamaan karaokeen ja välissä voi tulla balladi jonka melodia on ehkä maailman kaunein. sitten joku sanoo michael jackson ja thriller lähtee soimaan, vai oliko se billie jean, samantekevää. ei tämmöisiä levyjä muilta labeleilta voisi ilmestyä. hyperaktiivisia, suorastaan psykedeelisiä trippejä, joita kelpaa luukuttaa vaikkapa lauantai-iltana ruokaa kokkaillessaan, kuten on ollut usein tapana. vaikka leikkaukset on välillä yllättäviä, kaikki toimii ja tuloksena kaksi melko täydellistä kokonaisuutta, kumpikin enemmän kuin osiensa summa. veikkaan että erikseen kuultuna kaikki biisit ei välttämättä olisi mitään mestariteoksia, osa toki, mutta ei haittaa. IHANAA SUBLIME FREQUENCIES, IHANAA colorflash

tässä vielä biisilistat ja labelin omat höpinät:

Sublime Frequencies wrote:

Radio Sumatra: The Indonesian FM Experience CD SF021
all hit music - the most radio - karaoke hit parade - fm bagus - great songs and great memories - dangdut is the music - beautiful prayers - the best new music - allah's hit explosion - heavy rotation - the islamic experience in frequency modulation

Whats happening NOW on Indonesian Radio from the FM airwaves of Sumatra? A completely mystifying Universe of Sound swirling in an explosive musical kaleidoscope, thats what! Escape to the world of Dangdut, Melayu, Gambus, punk, rap, psych, and almost everything else with plenty of styles you never knew existed. Recorded/edited in 2004!
The music and production encountered here represents a cross-section of Sumatran FM radio and to a greater extent, whats happening now in Indonesian culture. From the signature sounds of Sumatra (Melayu, Minang Pop, the Batak ballad) to the widespread Indonesian phenomenon of Dangdut, this exclusive FM only Radio Collage will leave your skull shattered, wondering why its taken so long to be turned-on to the modern pulse of the worlds fourth largest country. Some of these selections come from Java and other parts of Indonesia via the FM airwaves of Sumatras major cities. Islamic Folk, Gambus Rock, and gorgeous anomalies are also placed in the mix amidst brief news reports, advertisements, prayers, and karaoke call-in shows. Many of the station IDs could be mistaken for American or European networks and much of the music is highly influenced by western pop/rock/punk/metal/rap/etc. But beyond these obvious comparisons is an explosive musical kaleidoscope; still fresh, somewhat sincere and naive, and a bit resistant to the grasp of the worlds cultural export Moguls. This is an essential listening experience. There is undeniable evidence here of how Indonesians have crafted some of the worlds most thrilling popular music.yet the rest of this world somehow refuses to recognize it.that is, until now!
Radio Phnom Penh CD SF020
don't want to let you go - multi-pop indigenous - blondie in khmer camouflage - street guns and studio drums - synthesizers east of siam - indefinite state of emergency - phnom penh on the seine - bubble gum independence - rebel guitars in strange dialect - the shiny radio in a blind man's wallet - re-mixed culture or: the graffiti walls of angkor wat - condoms and condors - sign-off/the venerable anthem

Rebel Guitars, Assorted Dialects, Heat-Stroke Synthesizers, and thats just a taste of this diverse assortment of Cambodian musical treasures youve NEVER heard before. Flowing from traditional to Modern, from rock and pop to folk and hybrid, all sequenced in the spirit of how it was captured: as radio programming designed to immediately transport you into the heart of Cambodias Capital.
Cambodias people, economy, and culture have been re-mixed perhaps more than any place on earth for the past 50 years. The name was even changed to Kampuchea and then back again to Cambodia. So it almost seems natural that modern Cambodian record companies have been re-mixing the old classic pop and rock tracks from the pre-Khmer Rouge era, overdubbing drum tracks, and sometimes all instruments leaving only the original vocal in tact. These re-mixes, designed to hold the interest of younger listeners, are the staple for current programming on Phnom Penhs FM radio stations as the AM flagship National Radio of Cambodia remains the only source regularly featuring the original master recordings.
This brain-melting concoction of Radio transmissions is a combination of AM/FM samples from the airwaves of Phnom Penh. The older, classic Pop/Rock FM cuts are ALL re-mixed versions while the newer forms/other styles of Cambodian music collected here are not. All AM recordings are from the Original masters. Regardless of the debate between original and re-mix, this is the most diverse assortment of Cambodian musical treasures youve NEVER heard. Flowing from traditional to Modern, from rock and pop to folk and hybrid, all excerpts are as unique as the best of whats been presented by other compilations of late. And its sequenced here in the spirit of how it was captured: as radio programming designed to immediately transport you into the heart of Cambodias Capital.

psykokarkki · 12.04.2010 11:47

seuraavat julkaisut:

Dara Puspita - Dara Puspita 1966-1968 CD
"Dara Puspita (trans. "Flower Girls") was arguably the world's greatest all-female garage rock band. The reason you've probably never heard of them was that they came from Indonesia where they were extremely popular during the 1960s. Their career spanned from 1965 until 1973 including 3 years (1969-1971) living and touring in Europe. The four albums recorded by the original members between 1966 and 1968 (the material represented on this CD) is one of the great chapters of 1960s popular music history never to be reissued, let alone recognized beyond a few tuned-in souls and adventurous record collectors in the Western world. Twenty-six of their most spectacular tracks (from the albums Jang Pertama, Special Edition, Green Green Grass, and A-Go-Go) are now finally available to hear in this essential release. Dara Puspita formed in their hometown of Surabaya in 1964. After relocating to Jakarta, the group began to create quite a stir with their wild stage shows. Their local performances were attended by teenagers grooving to the band's raw garage rock sound. The first all-female Indonesian pop group that could play their instruments and sing, Dara Puspita also attracted the attention of Indonesian president Sukarno who labeled Western rock music "a form of mental disease." In 1965 (an eventful and critical year for the group), the girls endured a month-long interrogation by the government for performing "outlawed" rock and roll music, became the house band in a Bangkok nightclub for three months, and were introduced to Dick Tamimi of Mesra records, the man who would launch their recording career. The tracks featured on this compilation were recorded at the height of Dara Puspita's popularity during the immediate post-Communist era of General Suharto's new order; a time when Indonesia's musicians and artists were finally capable of launching their own creative renaissance. This collection is guaranteed to appeal to all fans of the beat a-go-go era of the mid-late 1960s and is a significant missing piece of the global pop music history puzzle. Every single track is a classic, the sound quality is superb, and it should only take one listen to become completely addicted to and charmed by this legendary Indonesian group. Tri-fold digipack CD with 20-page booklet featuring rare & unseen photos provided by Dara Puspita for this specific reissue project and extensive liner notes of the band's phenomenal history by Alan Bishop.
V/A - Ecstatic Music of the Jemaa El Fna LP
"For centuries, the Jemaa El Fna (Rendezvous of the Dead) has remained the stage for one of the most spectacular social forums on the planet. By day, this central square in the city of Marrakesh, one of Morocco's great imperial cities, fosters a kaleidoscope of entertainment for its local inhabitants; storytellers, acrobats, magicians and snake charmers all create intriguing displays of bewitching spectacle. As the sun sets, the evening grows frantic with the pulse of the crowd; it is then that the night musicians set up. Free from the restrictions and expectations of light entertainment for a tourist crowd, these musicians manifest ecstatic performances that animate the audience and players alike. The groups represented on this album; Troupe Majidi, Amal Saha, and Mustapha Mahjoub, are working and carrying the torch of their musical heroes nightly in the square. These songs come from the repertoire of Morocco's greatest musical exports: Nass El Ghiwane, Lemchaheb, Jil Jilala, Larssad, and many others from the Chaabi (Moroccan popular music) canon and are given a raw, emotional and fiery interpretation. Instruments are powered by car batteries and blown out through megaphone speakers. These recordings represent a rare opportunity to hear this music at such close proximity taking in all the power and passion of the performances. The raw fidelity captures an unflinching immersion of what is simply some of the greatest street music on earth. Recorded by Hisham Mayet in 2005, a few of these performances were featured in his film Musical Brotherhoods From The Trans-Saharan Highway (SF 041DVD). This collection also contains tracks not present in the film for a more potent snapshot of the ecstatic Jemaa El Fna. Limited edition LP comes in a beautiful full-color gatefold jacket with photos of the musicians and liner notes by Hisham Mayet."
TRACKLISTING
A1. Amal Saha - Daouini (Lemchaheb)
A2. Troupe Majidi - Essiniya (Nass El Ghiwane)
A3. Mustapha Mahjoub - Tal Riabak Arzali (Cheb Hosni)
A4. Troupe Majidi - Khoudrini (Lemchaheb)
B1. Amal Saha - Sabra And Shatilla (Nass El Ghiwane)
B2. Troupe Majidi - Khlili (Lemchaheb)
B3. Amal Saha - Lahmami (Nass El Ghiwane)
B4. Troupe Majidi - Rsami (Lemchaheb)
B5. Troupe Majidi - Afriquiya (Larssad)

KZ · 15.04.2010 09:31

Mistä näitä yleensä saa kätevimmin, esim.lähempää ku USAsta. Löytyykö kotimaan markkinoilta?

psykokarkki · 15.04.2010 09:44

levykauppa äxässä on hyvät valikoimat.

artsy · 15.04.2010 11:24

psykokarkki wrote:

levykauppa äxässä on hyvät valikoimat.

kiitti hannu!!

itse asiassa tänään just tuli täydennyksenä parit klassikot:

radio phnom penh, radio algeria, radio java, omar souleymanin eka, radio thailand tupla

ard

KZ · 15.04.2010 13:40

Jees, pitää lisätä loppumattoman levyostoslistan jatkeeksi.

psykokarkki · 29.04.2010 14:13

psykokarkki wrote:

seuraavat julkaisut:
Dara Puspita - Dara Puspita 1966-1968 CD
V/A - Ecstatic Music of the Jemaa El Fna LP

ei olleetkaan vielä seuraavat, vaan:

Koes Bersaudara 1967 CD SF053

This CD features the first ever reissue of Koes Bersaudaras two extremely rare and almost impossible to find albums from 1967 - To the so-called The Guilties (12 song full-length LP) and Djadikan Aku Domba Mu (8 song 10-inch LP). Guilties has long been considered by Indonesian music historians as their nations legendary garage rock masterpiece as well as the first record to directly challenge or speak out against the Indonesian government.
This CD features the first ever reissue of Koes Bersaudaras two extremely rare and almost impossible to find albums from 1967 - To the so-called The Guilties (12 song full-length LP) and Djadikan Aku Domba Mu (8 song 10-inch LP). Guilties has long been considered by Indonesian music historians as their nations legendary garage rock masterpiece as well as the first record to directly challenge or speak out against the Indonesian government. Recorded live in the studio in a few hours, the album is laced with a raw, guitar-driven sound that forays into previously unexplored realms of the mid-sixties beat generation. Though Guilties is obviously inspired by Western bands of the period, the record possesses a unique feel throughout and will challenge you to find obvious derivative Western sources (with the exception of the Byrds guitar style on Apa Sadja). Djadikan Aku Domba Mu was actually recorded a few months before the Guilties album and has a much dreamier feel overall. Some of the tracks are more psychedelic and reminiscent of the ballads the Koeswoyo brothers would create at the end of the 1960s. Also included in this set is the extremely rare studio outtake Land of Evergreen, the only cut in this collection that was recorded in stereo. One of 4 tracks on this CD sung in English, Land of Evergreen features an absolutely stunning guitar intro and is one of the best songs Koes Bersaudara ever created.
Koes Bersaudara (Koes Brothers) formed in Jakarta in 1960. At the beginning, the group consisted of 5 Koeswoyo brothers Jon, Tonny, Nomo, Yon and Yok. After their first album was released in 1964, older brother Jon quit reducing the group to a four-piece. Tonny (lead guitarist and songwriter) was the leader of the group with Yon (rhythm guitar) and Yok (bass) handling the vocals along with Nomo on drums. By 1965, the group started to grow their hair longer, wore high-heeled leather boots, and added Beatles songs to their stage show. President Sukarno began waging war against the influence of Beatlemania which had taken hold of the Indonesian popular music scene. Koes Bersaudara was arrested and spent 3 months in prison for performing a Beatles song at a private house party. They were released from jail at the same time General Suhuarto launched his military coup and former restrictions on Western pop music began to be lifted. By 1967 Koes Bersaudara was back in the studio recording what would become their most challenging music on Dick Tamimis Mesra Record label. Nomo left the group in 1968 and after Tonny, Yon and Yok found their new drummer Kasmuri (Murry), Koes Plus was born in 1969 and became the most popular Indonesian band of the 1970s. These reissued tracks have been coveted by serious in the know collectors worldwide for decades and will surely appeal to all fans of the pop and rock era of the mid-late 1960s as a significant missing piece of the global pop music history puzzle. Tri-fold Digipack CD with 20 page booklet featuring selected lyrics, rare & unseen photos provided by Koes Bersaudara for this specific reissue project and extensive liner notes of the bands amazing history by Alan Bishop.

psykokarkki · 08.05.2010 20:28

dance

artsy · 08.05.2010 23:59

äxästä kaupallista väliaikaspämmitiedotetta

koes bersa löytyy nyte jo hyllystä, ei ihan kyl pankkia räjäyttäny. isosti plussaa jewel casesta
apgreidatusta pahvikotelosta, muutenkin paljon enemmän infoo ja kuvia kun aikasemmissa

uusi omar tulee ens viikolla

ja ecstatic music of el lahna vinyylii nippu parin viikon pääst!! saatiin kerrankin varattua silleen
että suomeenkin asti kerkeää!

ardusch

Alxity · 09.05.2010 20:31

Omar Souleymanin Dabkea tuli lauantaina kuunneltua porukalla ja useampikin tajunta taisi räjähtää kakkosbiisin kohdalla. Tuo Jazeera Nights on jo pelkästään kantensa puolesta pakkohankinta peuk

Radio Sumatra pitää kyllä jossain vaiheessa myös saada kuunteluun...

psykokarkki · 17.05.2010 09:49

ton koes bersaudaran mikälie ostin joo, sillee ihan kiva mut ei ehkä tosiaan sit niin tajuntaa räjäyttävä, no kattellaan. ja jatkoa luvassa, "indonesian beatles" eli koes plus joka siis tuosta kehittyi saa julkaisunsa tässä seuraavassa erässä, huh huh:

Eclipse Records wrote:

*V/A: Saigon Rock & Soul: Vietnamese Classic Tracks 1968-1974 double LP $29.99 (Sublime Frequencies)
The long-awaited foray into the Vietnamese rock, pop and soul sound of the late 1960s and early 1970s is finally here. Saigon Rock & Soul delivers the goods international retro collectors have been searching for in vain for many years -- and it delivers beyond belief. Every song is a mini-masterpiece, be it heavy acid-rock psychedelia, horn- and guitar-drenched funk grooves, or gripping soul ballads reflective of life during wartime. The tracks that form this collection cut a window into a rich musical Vietnamese music scene that has long been obscured, and for the most part, forgotten. As the scope of electrified Vietnamese music from the 1960s and 1970s begins to be revealed, it becomes evident that this was among the heaviest and most eclectic musical scenes of Southeast Asia at the time. These songs tell of war, love and what war does to love. All of them were recorded in makeshift studios and even U.S. army facilities while the Vietnam War raged -- and were issued by a handful of Saigon record companies on vinyl 45s and reel or cassette tapes. Westernized forms of music in Vietnam had appeared during the latter 19th century, and especially during the early 20th century, under the influence of the French colonizers. Tan Nhac (trans. "modern music") always incorporated both domestic and international sounds, and continued to develop alongside Western musical trends. During the 1960s and 1970s, pulp ballads were being recorded by leading crooners of the time who alternated between modern and traditional forms of regional music. When the electric guitar hit the streets of Saigon, Vietnamese renditions of contemporary instrumental trends such as surf-rock, beat and twist soon emerged, followed by some pretty deep soul sounds inspired by Motown radio hits as well as funk grooves brought on by James Brown and his contemporaries. By the mid-1960s, Vietnam had been ravaged by war for years. American G.I.s had become a standard fixture in Saigon, as did many of the cultural artifacts they brought with them. This certainly included the music. The sounds of rock and roll dominated the radio waves, and Saigon nightclubs were teeming with new sounds. Musically, The Shadows and The Ventures soon gave way to The Beatles and The Rolling Stones as an enthusiastic set of young Vietnamese rockers signed on to the lifestyle, always eager to hear the latest musical trends the G.I.s would bring in on LP or tape. This era saw the birth of a vibrant rock scene, yet rock music and anything that came close was commonly referred to as "soul" in the Vietnamese genre-listings. Like many cultures in Asia, Vietnamese music is recorded, marketed, listened to and disposed of in a relatively quick manner. This level of advanced ephemera ensures a degree of difficulty when trying to unearth and discover cultural histories. Literally, most of the music heard here has been brought back from the dead. Artists featured include some of Vietnam's most popular at the time: Elvis Phuong, Hung Cuong, Mai Lei Huyen, Le Thu, Thai Thanh, Giao Linh, Mai Lei Huyen and the CBC Band. This limited edition 2LP vinyl release features 70 minutes of classic original recordings compiled by Mark Gergis housed in a beautiful full-color gatefold jacket with extensive liner notes.
*Dara Puspita - Dara Puspita 1966-1968 CD $16.99 (Sublime Frequencies)
"Dara Puspita (trans. "Flower Girls") was arguably the world's greatest all-female garage rock band. The reason you've probably never heard of them was that they came from Indonesia where they were extremely popular during the 1960s. Their career spanned from 1965 until 1973 including 3 years (1969-1971) living and touring in Europe. The four albums recorded by the original members between 1966 and 1968 (the material represented on this CD) is one of the great chapters of 1960s popular music history never to be reissued, let alone recognized beyond a few tuned-in souls and adventurous record collectors in the Western world. Twenty-six of their most spectacular tracks (from the albums Jang Pertama, Special Edition, Green Green Grass, and A-Go-Go) are now finally available to hear in this essential release. Dara Puspita formed in their hometown of Surabaya in 1964. After relocating to Jakarta, the group began to create quite a stir with their wild stage shows. Their local performances were attended by teenagers grooving to the band's raw garage rock sound. The first all-female Indonesian pop group that could play their instruments and sing, Dara Puspita also attracted the attention of Indonesian president Sukarno who labeled Western rock music "a form of mental disease." In 1965 (an eventful and critical year for the group), the girls endured a month-long interrogation by the government for performing "outlawed" rock and roll music, became the house band in a Bangkok nightclub for three months, and were introduced to Dick Tamimi of Mesra records, the man who would launch their recording career. The tracks featured on this compilation were recorded at the height of Dara Puspita's popularity during the immediate post-Communist era of General Suharto's new order; a time when Indonesia's musicians and artists were finally capable of launching their own creative renaissance. This collection is guaranteed to appeal to all fans of the beat a-go-go era of the mid-late 1960s and is a significant missing piece of the global pop music history puzzle. Every single track is a classic, the sound quality is superb, and it should only take one listen to become completely addicted to and charmed by this legendary Indonesian group. Tri-fold digipack CD with 20-page booklet featuring rare & unseen photos provided by Dara Puspita for this specific reissue project and extensive liner notes of the band's phenomenal history by Alan Bishop.
*Koes Plus - Dheg Dheg Plas & Volume 2 CD $16.99 (Sublime Frequencies)
Often referred to as "the Beatles of Indonesia," Koes Plus are the most beloved pop group in the history of Indonesian music, yet they've been basically unknown to the rest of the world. Born in 1969 from the previously established roots of Koes Bersaudara, the group blazed a trail across the Indonesian popular music landscape of the 1970s, with a scope that reached from the archipelago out to Singapore and Malaysia. The band began as a psychedelic-era beat group and eventually streamlined their sound into a successful formula of hit-making success. Recording relentlessly during the 1970s (40 full-length albums plus countless compilations), the band delivered a solid and familiar pop style and simultaneously branched out with an astonishing onslaught of LPs catering to specific genres which set a precedent for other popular groups to follow in the ensuing years. More than three decades removed from the peak of their popularity in the late '70s, most major Indonesian cities have their own Koes Plus fan clubs, local weekly radio shows dedicated to their music, and frequent tribute band shows. There are currently more than 60 Koes Plus tribute bands on the island of Java alone ranging in age from kids under 10 to those in their 60s. Koes Plus has become a national symbol of pride, an Indonesian legend larger than life; their music seamlessly crossing over from generation to generation. Reissued here for the first time, this CD contains the first two incredibly rare Koes Plus albums in their entirety: Dheg Dheg Plas (commonly referred to as Volume 1) from 1969 and Volume 2 from 1970. Dheg Dheg Plas features spectacular beat rockers such as "Kelelewar" ("The Bat"), "Awan Hitam" ("The Black Cloud"), "Hilang Tak Berkesan" ("Gone Without An Impression") and the title track. It also includes the original versions of two of Koes Plus' most brilliant and beloved ballads: "Manis Dan Sayang" ("Sweet And Dear") and "Tjintamu Telah Berlalu" ("Your Love Has Passed"). Volume 2 has spectacular late-'60s moments. It also includes their heaviest freak-out track, "Pent Juri Hati" ("Heart Stealer"). Both records have been coveted by serious "in-the-know" collectors worldwide for decades and will surely appeal to all fans of the beat and psychedelic era of the late-1960s as a significant missing piece of the global pop music history puzzle. Tri-fold digipack CD with a 20-page booklet featuring rare & unseen photos provided by Koes Plus for this specific reissue project and extensive liner notes of the band's amazing history by Alan Bishop."
*V/A - Ethnic Minority Music of Northwest Xinjiang, China CD $15.99 (Sublime Frequencies)
"Laurent Jeanneau and Shi Tanding have returned from the northwest corner of China's Xinjiang province with an amazing batch of recordings collected during the weeks leading up to the volatile Uyghur uprising of 2009. Armed with their trusty audio gear, the couple was set on getting married and recording various styles of regional ethnic music near the Chinese border with Kazakhstan. However, the local authorities suspected that the pair had other intentions, shadowing and interrogating them wherever they went. Their marriage in Shi Tanding's home town of Ili would have to wait for another time (the marriage documents were delayed in processing deep within the Chinese bureaucracy) but the recordings, preserved here, display several magnificent and unique varieties of traditional Islamic folk music with traces of Arabic, Persian, and Turkish influences heard throughout. The players are Kazakh, Uyghur, Kirgiz and Mongol Erut musicians performing on a wide array of local stringed instruments including topchar, komuz, rushtar, rawab and tchang. One amazing example is Kurmanjiang Zaccharia, a Kazakh string virtuoso, whose lightning-fast fingers blaze up and down the neck of his two-stringed dongbra. Another is an epic 10-minute vocal muqam performed by a trio of Uyghur musicians on satar, tambur and dotar. Also featured is a Kazakh singing-style called Ay Ikesse performed by Aken (improvising poet-singers utilizing dongbra accompaniment), Kirgiz songs sung in the Manas style and played on the komuz, and Mongol Erut bai boor den instrumental pieces. The CD comes with a 16-page full-color booklet featuring photos of the musicians and informative liner notes chronicling the journey, instruments and styles documented, and background information on the performers by Laurent Jeanneau."
*V/A - My Friend Rain DVD/CD $19.99 (Sublime Frequencies)
"My Friend Rain -- A film by Robert Millis (color/38 minutes). Filmed throughout Southeast Asia by Robert Millis between 2002-2004, My Friend Rain is an abstract homage to the endless monsoon cycles of rebirth and destruction. Dreamy musical segments, fleeting glimpses, odd sounds, temple shrines, tropical backdrops, decay, death, languid afternoon rains, and mysterious celebratory events take the viewer from soaked mornings in the lowlands of the Irrawaddy Delta to humid nights on the streets of Isan province. Two tracks originally released on Millis' Leaf Music, Drunks, Distant Drums CD from 2002 can now be witnessed for the first time in this film: an amazing elephant mahout playing a song on a leaf with his mouth and a Burmese marionette orchestra musician performing expertly on tuned drums. The overall experience is an impressionistic collage of sight and sound captured live and in the moment on location in Laos, Thailand, Cambodia and Myanmar. Along with the DVD which features 12 minutes of extra footage and deleted scenes, the package includes a bonus CD with the film's soundtrack of traditional and popular music culled from live performance, cassette and LP archives. Some of the soundtrack highlights: a gorgeous Thai Luk Thung track by Waiphot Phetsuphan, a classic Khmer performance by Pan Ron, one of the Queens of Cambodian music, and an epic Burmese pop rendition of the Bee Gee's "How Do You Mend A Broken Heart," alongside folk performers, street musicians and a traditional Burmese orchestra. Robert Millis, original co-founder of both Climax Golden Twins and AFCGT, also co-produced the Victrola Favorites: Artifacts From Bygone Days (DTD 011CD) book/CD project on Dust-to-Digital and is a frequent contributor to the Sublime Frequencies label. DVD/CD comes in a 2-disc jewel box with a full-color insert. DVD is NTSC format, region free."

huntin_seteli · 17.05.2010 22:55

psykokarkki wrote:

psykokarkki wrote:
V/A - Ecstatic Music of the Jemaa El Fna LP

aarh
sairaan kovaa kanaa
tätä kuunnellessa tulee mieleen et vois pikkuhiljaa lopetella omat musaräpellykset

psykokarkki · 20.05.2010 21:22

on kyllä taas törkeen kova tää omarin uus colorflash

Alxity · 21.05.2010 14:04

Täytyypä ottaa tuo Omarin uuskin kuunteluun... Vähän kyllä kiinnostaisi mies livenäkin nähdä, mutta harmi kun Flowssa kaikki mielenkiintoiset artistit jakautuu niin eri päiville. Omarhan oli laitettu lauantaille klo. 14.00 esiintymään. MIA olisi kuitenkin samana päivänä...

Radio Sumatra löytyi muuten jo koneelta mp3:na ja kovaa kamaa sekin. Jemaa El-Fna kiinnostaisi myös, mutta epäilisin tuon Saigon Rock & Soul: Vietnamese Classic Tracks 1968-1974 olevan todellinen aarre. Ainakin tykkäsin paikan päällä vietnamilaisesta musiikista ja Sublimen tuntien tuolle kokoelmalle on löytynyt vielä paljon hienompia helmiä kuin mitä sivukorvalla onnistuu turistina bongaamaan.

psykokarkki · 21.05.2010 14:09

jees toi uus omar on ihan tajuton! linernotesit luin hätäseen läpi mutta ymmärsin että takana on jokunen oikein studiossakin tehty levy joilla olis "siistimmät" soundit, mutta noita livekasetteja olisi sitten satoja, niiltä kai nuo sf-kokoelmat on lähinnä poimittu.

toi 14 keikka-aika on kyl hämmentävä, hyvä tietty ettei m.i.a.:n kanssa samaan aikaan mut toivoisin et pikkusen myöhempään ni olis juhlat jo kunnolla käynnissä tongue psykostep tongue ja tuu ihmeessä lauantaina flowhun, sehän on perinteisesti paras päivä siellä colorflash

Alxity · 23.05.2010 16:52

Ainakaan ekalla kuuntelulla tuo psykokarkin postaama biisi ei iskenyt ihan niin kovaa kuin niiden kahden ekan (kokoelma)levyn biisit... Oli ehkä jotenkin liian perinteinen...

Munkin käsitykseni mukaan nuo kaksi aiempaa on koostettu niistä noin 500 kasettinauhoitteesta, jotka Omarilta on julkaistu... Kai noin valtavasta materiaalista nyt kaksi levyllistä nerokasta tavaraa on pakko saadakin, eli ehkä tuo uusin sitten osoittaa kuinka suuri osa Omarin tuotannosta on oikeasti neroutta icon_wink Vähän pelottaa sekin, että osa noista kaseteista on livemateriaalia ja voisi kuvitella, että touhu menee silloin enemmän hulinaksi. Ettei vaan olis liian kliinistä.

Flow edelleen harkinnassa. Pitää vaan ensin saada tietää päivystykset ja mulla oli tarkoitus lähteä seuraavalla viikolla Lappiin ja taitaa olla pitkä junamatka tulossa jos vielä Flow:n lauantaina lähden. Tosin pitkä matka sinne on joka tapauksessa...

janne m. · 24.05.2010 09:20

Alxity wrote:

Omarhan oli laitettu lauantaille klo. 14.00 esiintymään. MIA olisi kuitenkin samana päivänä...

Tästä ei taida olla mitään muuta tietoa kuin Sublime Frequencen nettisivuilla olevat kellonajat? Veikkaanpa, että ne listaa siellä vaan jotta mihin aikaan keikkapaikat aukeavat.

psykokarkki · 24.05.2010 09:40

janne m. wrote:

Alxity wrote:
Omarhan oli laitettu lauantaille klo. 14.00 esiintymään. MIA olisi kuitenkin samana päivänä...
Tästä ei taida olla mitään muuta tietoa kuin Sublime Frequencen nettisivuilla olevat kellonajat? Veikkaanpa, että ne listaa siellä vaan jotta mihin aikaan keikkapaikat aukeavat.

tosiaan biggrin mutta kunhan eivät pistä omaria telttaan samaan aikaan kun m.i.a. päälavalla, sillon ois kyllä ranteet auki sillalta alas ja vielä pesäpallomailalla kiitos 2010

Alxity · 24.05.2010 19:14

janne m. wrote:

Alxity wrote:
Omarhan oli laitettu lauantaille klo. 14.00 esiintymään. MIA olisi kuitenkin samana päivänä...
Tästä ei taida olla mitään muuta tietoa kuin Sublime Frequencen nettisivuilla olevat kellonajat? Veikkaanpa, että ne listaa siellä vaan jotta mihin aikaan keikkapaikat aukeavat.

Toivotaan asian olevan näin! Ja ei kai ne nyt millään Omaria MIAn kanssa voi samaan aikaan pistää... Mutta vielä yksi mielenkiintoinen kiinnitys lauantaille lisää niin tulen varmasti paikalle.

artsy · 25.05.2010 11:05

mitäpä hämmentävää tossa on? joku omar s on varmaan floun kirjoissa varmaankin aika helvetin pieni tekijä ja siks just dumpataan johki alkupäivään. mikä ei itseä haittaa kun flow-perjantaina berliinissä JALLAAAAAAAAAAAAAAAAAAAA

psykokarkki wrote:

jees toi uus omar on ihan tajuton! linernotesit luin hätäseen läpi mutta ymmärsin että takana on jokunen oikein studiossakin tehty levy joilla olis "siistimmät" soundit, mutta noita livekasetteja olisi sitten satoja, niiltä kai nuo sf-kokoelmat on lähinnä poimittu.
toi 14 keikka-aika on kyl hämmentävä, hyvä tietty ettei m.i.a.:n kanssa samaan aikaan mut toivoisin et pikkusen myöhempään ni olis juhlat jo kunnolla käynnissä ja tuu ihmeessä lauantaina flowhun, sehän on perinteisesti paras päivä siellä

Alxity · 25.05.2010 22:06

artsy wrote:

mitäpä hämmentävää tossa on? joku omar s on varmaan floun kirjoissa varmaankin aika helvetin pieni tekijä ja siks just dumpataan johki alkupäivään. ]

Totta. Pääasia kuitenkin ettei keikka ole aikaisin perjantaina, koska silloin en ehtisi paikalle ollenkaan.

Onko muuten tuosta V/A: Saigon Rock & Soul: Vietnamese Classic Tracks 1968-1974 kenelläkään tietoa, että joko se on julkaistu vai odottaako vielä julkaisua? Eipä sitä ainakaan Sublimen sivuilta vielä löydy, joten kai se vasta kohta julkaistaan...

psykokarkki · 27.05.2010 16:36

^ joo ei oo vielä ilmestynyt, taitaa mennä kesäkuulle.

tän nyt vois jossain maailmanmusiikkiketjussakin, mutta osaako joku sanoa mistä löytyisi vastaavaa musaa kuin mitä on radio algerialla, oisko jotain hyviä levyvinkkejä esim? pannan vielä tää kansikuva tähän koska se on niin hieno sydan

Alxity · 04.06.2010 16:34

Ei kyllä mitenkään älyttömästi innostanut tuo Proibidão C.V. Tai suoraan sanottuna ei tipan vertaa huvita laittaa levyä enää uudelleen edes soittimeen.Choubi Choubi! -Folk & Pop Sounds from Iraq olikin sitten jo parempaa. Tosin jotenkin vähän sellainen vaikutelma kokoelmasta jäi, että aivan mielettömän suuresta lähdemateriaalista kokoelmaa ei ollut koostettu, mutta enpä sitten tiedä minkä verran noita levyjäkään on ollut saatavilla...

Eniten korvaa on miellyttänyt kuitenkin nuo Radio-jotain kokoelmat. Toki se joskus vähän harmittaa kun hyvä biisi loppuu liian aikaisin, mutta parhaimmillaan nuo ovat kyllä sellaista musiikillista ilotulitusta ettei mitään rajaa.

Top 5 tällä hetkellä:
1. Radio Pyongyang
2. Radio Phomn Penh
3. Radio Algeria
4. Radio Sumatra
5. Radio Palestine

Noita kaikkia voin suositella kaikille ennakkoluulottomasti musiikkiin suhtautuville. Kaikilla on tajuttoman hienoja melodioita, hartaita tunnelmia sekä mielettömiä kitara tai mikäliekielisoitin-riffejä ja mielettömiä rytmejä maustettuna käsittämättömillä mainoksilla ja oudoilla juontopätkillä ja satunnaisilla repsäyttävillä kovereilla jostain tutusta biisistä. Levyt ovat mahtavia ikkunoita vieraisiin kulttuureihin ja mukavaa vaihtelua niihin hetkiin kun luulee kuulleensa jo kaiken. tongue

psykokarkki · 04.06.2010 16:39

Alxity wrote:

Eniten korvaa on miellyttänyt kuitenkin nuo Radio-jotain kokoelmat. Toki se joskus vähän harmittaa kun hyvä biisi loppuu liian aikaisin, mutta parhaimmillaan nuo ovat kyllä sellaista musiikillista ilotulitusta ettei mitään rajaa.
Top 5 tällä hetkellä:
1. Radio Pyongyang
2. Radio Phomn Penh
3. Radio Algeria
4. Radio Sumatra
5. Radio Palestine
Noita kaikkia voin suositella kaikille ennakkoluulottomasti musiikkiin suhtautuville. Kaikilla on tajuttoman hienoja melodioita, hartaita tunnelmia sekä mielettömiä kitara tai mikäliekielisoitin-riffejä ja mielettömiä rytmejä maustettuna käsittämättömillä mainoksilla ja oudoilla juontopätkillä ja satunnaisilla repsäyttävillä kovereilla jostain tutusta biisistä. Levyt ovat mahtavia ikkunoita vieraisiin kulttuureihin ja mukavaa vaihtelua niihin hetkiin kun luulee kuulleensa jo kaiken.

kopsasitko tän jostain mun kirjoituksesta? icon_wink friends

itse tosin en niin paljoa saanut irti palestinesta, sen sijaan indian ja thailandin lisäisin listalle, nehän on tuplia mutta sitäkin parempia.

tota Proibidão C.V:tä kuuntelin pitkästä aikaa joskus talvella ja totesin et ei se nyt niin ihmeellinen ollutkaan, lähinnä mielenkiintoinen kuriositeetti mut ei ehkä kestä kuuntelua. ensi viikolla pitäis mulle saapua eclipsen paketti jossa tulee taas muutama levy, sääli kun tuo vietnam-tupla ei vielä siihen ehtinyt.

psykokarkki · 10.06.2010 00:38

no voi sentään, group bombinon pääjehulta on julkaistu uusi albumi, nimellä omar moctar aka bambino, mutta vain digitaalisessa muodossa mad

agamgam 2004, akustinen nuotiokitara-albumi rakkaus

Reaktion wrote:

We're very proud to announce the release of Bambino's first album 'Agamgam 2004'.
Still largely unknown to Western ears, Omar Moctar, aka "Bambino", is the idol of the young Tuareg of Niger. In late 2004 he recorded acoustic versions of 10 tracks in the Ténéré desert, which became this, his first real album. He sings and plays several of his compositions and also pays tribute to other Tuareg artists (Abdallah Oumbadougou, Hasso, Kedou). The label Reaktion has now made this historical recording available to download.
Available on all the legal platforms (iTunes, emusic, amazon, fnac, viginmega...).

keräystä pystyyn että saatais vinyyliä tai ees cd:tä itku

tuolt voi tsekkailla muzaa colorflash

pitäis varmaan tehä tälle oma topikki.

suomestakin saa, 10,49 maksais, nyt joutuu jo harkitsemaan mad

janne m. · 10.06.2010 08:09

psykokarkki wrote:

keräystä pystyyn että saatais vinyyliä tai ees cd:tä

Eiku tehään se mitä aina lapsena, että yks ostaa vuorollaan levyn ja muut kopsaa icon_rolleyes

Sun vuoro! redface_new

psykokarkki · 10.06.2010 09:35

voiskohan tosta julkaista cd-version suomessa lisensoimalla, verdura ja 267 lattajjaa asialle ja eiköhän siihen muitakin saatais mukaan? icon_surprised dance icon_biggrin
vinyyli olis toki vielä kovempi juttu.

saattaa tosiaan olla että nyt pitää lipsua periaatteista, veikkaan että artistikin saattais tosta jonkun roposen saada.

artsy · 11.06.2010 10:31

on tää ecstatic music of el jehna vaan IHAN SAATANAN KOVA !!!!!!!!!

psykokarkki · 11.06.2010 11:46

AI JEHNA MIKÄ LAHNA icon_surprised

pitäis saapua tännekin päivänä minä hyvänsä colorflash

Pistooli-pepe · 11.06.2010 12:04

artsy wrote:

on tää ecstatic music of el jehna vaan IHAN SAATANAN KOVA !!!!!!!!!

Onks tätä vielä Äxässä? Paljon maksaa?

Street Spirit Sr.

#151 31.03.2010 10:07

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