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^ Suomalaisen musiikkijournalismin asenne kokeellista musiikkia kohtaan pähkinänkuoressa.
Amppeliooppeli Ex-Pooppeli
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maureen tucker ja doug yule muistelevat velvetsien kolmatta levyä:
The Velvet Underground on Most Profound Album: 'Lou Was a Force of Nature'
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^ Suomalaisen musiikkijournalismin asenne kokeellista musiikkia kohtaan pähkinänkuoressa.
Samaa ylimielisen naureskelevaa linjaahan sittemmin kohtasi tuo Lulu.
Just viikonloppuna tajusin kun puhuttiin "poikien" kanssa aiheesta, että tuo on ihan ylivoimaisesti eniten kuuntelemani levy sekä Reediltä että Metallicalta viimeisen 10 vuoden aikana.
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metal machine musicin arvostelu vuodelta 1975
dörtsi posee ettei tuu kalsa inee
Ei mitään muttia, kaikki boikottiin saatana!!
Security Fee:n hinnalla sisään!
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ANDY WARHOL SHOOTS THE VELVET UNDERGROUND LIVE (AND IN COLOR) BOSTON, 1967
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Velvet Underground: New box set FINALLY releases legendary scorching live material from 1969
The Matrix Tapes:
CD1 Set One:
01 Im Waiting For The Man (Version 1) (14:06)
02 What Goes On (Version 1) (8:58)
03 Some Kinda Love (Version 1) (4:59)
04 Heroin (Version 1) (8:13)
05 The Black Angels Death Song (6:20)
06 Venus In Furs (Version 1) (4:38)
07 There She Goes Again (Version 1) (3:08)
08 Were Gonna Have A Real Good Time Together (Version 1) (3:16)
09 Over You (Version 1) (2:24)
10 Sweet Jane (Version 1) (5:12)
11 Pale Blue Eyes (6:08)
12 After Hours (Version 1) (2:58)
CD2 Set Two:
01 Im Waiting For The Man (Version 2)
02 Venus In Furs (Version 2) (5:16)
03 I Cant Stand It (Version 1) (7:54)
04 There She Goes Again (Version 2) (2:54)
05 Some Kinda Love (Version 2) (4:12)
06 Over You (Version 2) (3:07)
07 After Hours (Version 2) (2:37)
08 Were Gonna Have A Real Good Time Together (Version 2) (3:42)
09 Sweet Bonnie Brown/Too Much (7:54)
10 Heroin (Version 2) (10:08)
11 White Light/White Heat (Version 1) (9:30)
12 Im Set Free (4.48)
CD3 Set Three:
01 Were Gonna Have A Real Good Time Together (Version 3) (3:18)
02 Some Kinda Love (Version 3) (4:40)
03 There She Goes Again (Version 3) (3:02)
04 Heroin (Version 3) (8:34)
05 Ocean (11:03)
06 Sister Ray (37.08)
CD4 Set Four
01 Im Waiting For The Man (Version 3) (5:31)
02 What Goes On (Version 2) (4:34)
03 Some Kinda Love (Version 4) (4:46)
04 Were Gonna Have A Real Good Time Together (Version 4) (3:26)
05 Beginning To See The Light (5:42)
06 Lisa Says (6:05)
07 New Age (6:41)
08 Rock And Roll (6.58)
09 I Cant Stand It (Version 2) (6:54)
10 Heroin (Version 4) (8:18)
11 White Light /White Heat (Version 2) (8:45)
12 Sweet Jane (Version 2) (4:20)
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Härregyyd ku Church Of Anthrax onki kova
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John Cale Reworks Music for a New Society as M:FANS, Reissues Original Album
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^ laitetaas tänne: Velvet Undergroundin sen toisen voimahahmon uusintajulkaisu on neroutta: Miehen lauluääni on edelleenkin pysäyttävä
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On April 3, John Cale will perform the Velvet Underground & Nico's classic debut album at the Philharmonie de Paris. Today, he's announced a lineup of special guests: Animal Collective, the Libertines' Pete Doherty and Carl Barât, Mark Lanegan, Etienne Daho, Lou Doillon, and Lemon Jelly's Nick Franglen. The artists will perform together with Cale. Meanwhile, the Philharmonie will host a corresponding exhibition on the Velvet Underground. (Tickets to the show are currently sold out.)
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john cale feat. animal collective - there she goes again:
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panda bearin jollotus kyllä hirveimpiä asioita maailmassa
Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?
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The Velvet Underground The Velvet Underground
This was probably the most important pop album for me in that I think it's the moment where I realised that I could be a musician. It was partly that this band was semi-non-musicians, but it was also because the songs borrowed a lot from what I knew about experimental music at the time. I'd been playing experimental music with various outfits in England and with Morton Feldman and Christian Wolff and all these people that had come over from America to visit us, 32 people who were into the experimental music scene in England. La Monte Young was one of the big figures in everybody's cosmology at the time and The Velvets, both Lou [Reed] and John [Cale], had worked with La Monte. So the first album came out, I thought, "Fantastic, amazing." Second album I thought, "Great, amazing." But the third album was the one that really killed me. The first album was quite wild and dark and weird, the second album was mad and intense. But the third album was so gentle and beautiful, but because you knew their history there was that undertone of violence and rage, something trying to burst out. Even on the love songs on this and many of them are love songs you hear that real tension.
What made me think I could do it too was that the songs were simple and the playing was so simple. There's very little artifice at all in this. But also the mood was something that I thought I could kind of connect to. The difficult thing about pop music as I was growing up, and I was 20, I think, when I first heard this, was that it dealt with young teenage emotions mostly, and that just wasn't interesting to me. I loved the music but what the songs were about was sort of childish and it was all about 'me' and 'you' and 'love', and I just wasn't interested in that really. At the same time I'd been working with Cornelius Cardew and all these kind of quite heavyweight experimental composers. But I didn't want just that. I wanted that [pop music] and that [experimental]. So I was always looking for anywhere that somebody was making some blends that started to be interesting. I didn't own this record for years and years. I just didn't buy this album because I never wanted it to become casual for me. I bought this one about five years ago. I never owned it before then. I would only hear it at other people's places because I always wanted it to be special.
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Lou Reed Solo Albums Collected in New Box Set
Legacy Recordings has announced Lou Reed - The RCA & Arista Album Collection, a forthcoming box set collecting sixteen of the late Lou Reed's solo albums. It will be released on October 7. The collection includes the fourteen studio albums Reed recorded for RCA and Arista between 1972 and 1986, from 1972's self-titled album to 1986's Mistrial. It also includes the live albums Rock n Roll Animal and Lou Reed Live: Take No Prisoners. The recordings were remastered by Reed in the months before his October 2013 death, and will be accompanied by memorabilia from his archive, photos and artwork, liner notes written by longtime collaborator Hal Willner, and more. "Lou put his heart into remastering these records," Laurie Anderson, Reed's widow, said in a press release. "They are not smoothed out. Sometimes remastering revealed their details and roughness in the most exciting ways. They leap out at you with their original energy." Willner, meanwhile, referred to the collection as "Lou's last project."
Lou Reed (April 1972)
Transformer (November 1972)
Berlin (July 1973)
Rock 'n' Roll Animal (February 1974)
Sally Can't Dance (August 1974)
Metal Machine Music (July 1975)
Coney Island Baby (December 1975)
Rock and Roll Heart (October 1976)
Street Hassle (February 1978)
Lou Reed Live: Take No Prisoners (November 1978)
The Bells (April 1979)
Growing Up in Public (April 1980)
The Blue Mask (February 1982)
Legendary Hearts (March 1983)
New Sensations (April 1984)
Mistrial (June 1986)
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The occult book that inspired the Velvet Undergrounds White Light/White Heat
maailman parhaan levyn julkaisusta tuli eilen kuluneeksi 48 vuotta
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lou reed olisi täyttänyt eilen 75
Lou Reeds speedfreak symphony: Metal Machine Music and me
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Pitkästä aikaa pieni Reed-innostus päällä. Kaikenlaista jännää näyttää tuolla Reedin arkistossa olleen. Mullekin vois joku sen livekasetti kelvata...
<@Tupou> jätkä haukkuu itse muita karkeiksi
<@DBGene> senkin karkki
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The Velvet Underground & Nico Is 50 Years Old But Still Sounds New
banaanilevy ilmestyi 50 vuotta sitten
p.s.
800 Copies: Meet The World's Most Obsessive Fan Of 'The Velvet Underground and Nico'
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Big Lupu täyttänyt 25v.
bzort glorf bööth
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Big Lupu täyttänyt 25v.
pistepirkko-topikissa ehkä nämä
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Halusin syväluotaa sitä yhteiskunta-akselien välistä juopaa, joka jo silloin varjosti minua ja minä sitä.
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