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Kappas. Pitänee laittaa ostoslistalle.
<@Tupou> jätkä haukkuu itse muita karkeiksi
<@DBGene> senkin karkki
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no niin, jean ramseyn massiivinen basement tapes -kirjoitus on viimein julkaistu:
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tää viimeisin bootleg series -julkaisu kiinnostaa. kuuden cd:n boksi kyl vähän turhan kallis niin täytynee tyytyä karvalakkiversioon.
Last edited by jookcha (10.11.2015 12:06)
Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?
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Joo... Olihan tää ollut aika mötkö:
DISC 1:
1. Love Minus Zero/No Limit - Take 1 (1/13/1965) acoustic, incomplete
2. Love Minus Zero/No Limit - Take 2 (1/13/1965) acoustic
3. Love Minus Zero/No Limit - Take 3 remake (1/13/1965) acoustic
4. Love Minus Zero/No Limit - Take 1 remake (1/14/1965) electric
5. Ill Keep It with Mine - Take 1 (1/13/1965) piano demo, previously released on Biograph, 1985
6. Its All Over Now, Baby Blue - Take 1 (1/13/1965) solo acoustic, previously released on The Bootleg Series, Vol. 7, 2005
7. Bob Dylans 115th Dream - Take 1 (1/13/1965) acoustic, incomplete
8. Bob Dylans 115th Dream - Take 2 (1/13/1965) acoustic
9. She Belongs to Me - Take 1 (1/13/1965) solo acoustic
10. She Belongs to Me - Take 2 Remake (1/13/1965) acoustic
11. She Belongs to Me - Take 1 Remake (1/14/1965) electric
12. Subterranean Homesick Blues - Take 1 (1/13/1965) solo acoustic, previously released on The Bootleg Series, Vol. 1-3, 1991
13. Subterranean Homesick Blues - Take 1 remake (1/14/1965) electric
14. Outlaw Blues - Take 1 (1/13/1965) solo acoustic
15. Outlaw Blues - Take 2 Remake (1/13/1965) electric
16. On the Road Again - Take 1 (1/13/1965) solo acoustic
17. On the Road Again - Take 4 (1/14/1965) electric
18. On the Road Again - Take 1 remake (1/15/1965) electric
19. On the Road Again - Take 7 remake (1/15/1965) electric
20. Farewell, Angelina - Take 1 (1/13/1965) solo acoustic, previously released The Bootleg Series, Vol. 1-3, 1991
21. If You Gotta Go, Go Now - Take 1 (1/13/1965) solo acoustic
22. If You Gotta Go, Go Now - Take 2 (1/15/1965) electric
23. You Dont Have to Do That - Take 1 (1/13/1965) solo acoustic, incomplete
DISC 2:
1. California - Take 1 (1/13/1965) solo acoustic
2. It's Alright, Ma (I'm Only Bleeding) - Take 1 (1/15/1965) acoustic, demo
3. Mr. Tambourine Man - Takes 1 - 2 (1/15/1965) incomplete, with band
4. Mr. Tambourine Man - Take 3 (1/15/1965) incomplete, with band
5. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 1 (6/15/1965)
6. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 (6/15/1965)
7. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 3 (7/29/1965)
8. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 3 remake (7/29/65)
9. Sitting on a Barbed Wire Fence - Take 2 (6/15/1965)
10. Tombstone Blues - Take 1 (7/29/1965)
11. Tombstone Blues - Take 9 (7/29/1965) previously released on The Bootleg Series, Vol. 7, 2005
12. Positively 4th Street - Takes 1-3 (7/29/1965)
13. Positively 4th Street - Take 4 (7/29/1965)
14. Positively 4th Street - Take 5 (7/29/1965)
15. Desolation Row - Take 1 (8/4/1965)
16. Desolation Row - Take 2 (8/4/1965) piano demo
17. Desolation Row - Take 5 remake (8/2/1965)
18. From a Buick 6 - Take 1 (7/30/1965)
19. From a Buick 6 - Take 4 (7/30/1965) released in error on first pressing of Highway 61 Revisited, 1965
DISC 3:
1. Like a Rolling Stone - Take 1-3 (6/15/1965)
2. Like a Rolling Stone - Take 4 (6/15/1965)
3. Like a Rolling Stone - Take 5 (6/15/1965)
4. Like a Rolling Stone - Rehearsal (6/16/1965)
5. Like a Rolling Stone - Take 1 (6/16/1965)
6. Like a Rolling Stone - Takes 2-3 (6/16/1965)
7. Like a Rolling Stone - Take 4 (6/16/1965) released on Highway 61 Revisited, 1965
8. Like a Rolling Stone - Take 5 (6/16/1965)
9. Like a Rolling Stone - Take 6 (6/16/1965)
10. Like a Rolling Stone -Take 8 (6/16/1965)
11. Like a Rolling Stone - Takes 9-10 (6/16/1965)
12. Like a Rolling Stone - Take 11 (6/16/1965)
13. Like a Rolling Stone - Take 12 (6/16/1965)
14. Like a Rolling Stone - Take 13 (6/16/1965)
15. Like a Rolling Stone - Take 14 (6/16/1965)
16. Like a Rolling Stone - Take 15 (6/16/1965)
17. Like a Rolling Stone - Master take - lead guitar isolated track
18. Like a Rolling Stone - Master take - vocal and guitar isolated track
19. Like a Rolling Stone - Mast take - drums and organ isolated track
20. Like a Rolling Stone - Master take - piano and bass isolated track
DISC 4:
1. Can You Please Crawl Out Your Window - Take 1 (7/30/1965)
2. Can You Please Crawl Out Your Window - Take 17 (7/30/1965 released in error on the first pressing of Positively 4th Street single
3. Highway 61 Revisited - Take 3 (8/2/1965)
4. Highway 61 Revisited - Take 5 (8/2/1965)
5. Highway 61 Revisited - Take 7 (8/2/1965)
6. Just Like Tom Thumbs Blues - Take 1 (8/2/1965)
7. Just Like Tom Thumbs Blues - Take 3 (8/2/1965)
8. Just Like Tom Thumbs blues - Take 13 (8/2/1965)
9. Queen Jane Approximately - Take 2 (8/2/1965)
10. Queen Jane Approximately - Take 5 (8/2/1965)
11. Ballad of a Thin Man - Take 2 (8/2/1965) incomplete
12. Medicine Sunday - Take 1 (10/5/1965)
13. Jet Pilot - Take 1 (10/5/1965) Previously released on Biograph, 1985
14. I Wanna Be Your Lover - Take 1 (10/5/1965)
15. I Wanna Be Your Lover - Take 6 (10/5/1965)
16. Unknown Instrumental - Take 2 (10/5/1965)
17. Can You Please Crawl Out Your Window - Takes 5-6 (11/30/1965)
18. Visions of Johanna - Take 1 (11/30/1965)
19. Visions of Johanna - Take 5 (11/30/1965)
DISC 5:
1. Visions of Johanna - Take 7 (11/30/1965)
2. Visions of Johanna - Take 8 (11/30/1965) previously released on The Bootleg Series, Vol. 7, 2005
3. Visions of Johanna - Take 14 (11/30/1965)
4. Shes Your Lover Now - Take 1 (1/21/1966)
5. Shes Your Lover Now - Take 6 (1/21/1966)
6. Shes Your Lover Now - Take 15 (1/21/1966) previously released on The Bootleg Series, Vol. 1-3, 1991
7. Shes Your Lover Now - Take 16 (1/21/1966) solo piano
8. One of Us Must Know (Sooner or Later) - Take 2 (1/25/1966)
9. One of Us Must Know (Sooner or Later) - Take 4 (1/25/1966)
10. One of Us Must Know (Sooner or Later) - Take 19 (1/25/1966)
11. Lunatic Princess - Take 1 (1/27/1966)
12. Fourth Time Around - Take 11 (2/14/1966)
13. Leopard-Skin Pill-Box Hat - Take 3 (2/14/1966)
14. Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966)
DISC 6:
1. Stuck Inside of Mobile with the Memphis Blues Again - Take 1 (2/17/1966)
2. Stuck Inside of Mobile with the Memphis Blues Again - Rehearsal (2/17/1966)
3. Stuck Inside of Mobile with the Memphis Blues Again - Take 5 (2/17/1966) previously released on The Bootleg Series, Vol. 7, 2005
4. Stuck Inside of Mobile with the Memphis Blues Again - Take 13 (2/17/1966)
5. Stuck Inside of Mobile with the Memphis Blues Again - Take 14 (2/17/1966)
6. Absolutely Sweet Marie - Take 1 (3/7/1966)
7. Just Like a Woman - Take 1 (3/8/1966)
8. Just Like a Woman - Take 4 (3/8/1966)
9. Just Like a Woman - Take 8 (3/8/1966)
10. Pledging My Time - Take 1 (3/8/1966)
11. Most Likely You Go Your Way (And Ill Go Mine) - Take 1 (3/9/1966)
12. Temporary Like Achilles - Take 3 (3/9/1966)
13. Obviously 5 Believers - Take 3 (3/10/1966)
14. I Want You - Take 4 (3/10/1966)
15. Sad-Eyed Lady of the Lowlands - Take 1 - (2/16/1966)
En nyt kuitenkaan lähtenyt hankkimaan mm. levyllistä Like A Rolling Stonea. Mietin kyllä, että kuinka järkevää on ostaa edes tuota kahden cd:n versioita eli että haluanko toisaalta kuulla kaikkia vaihtoehtoisia ottoja biiseistä, mutta kun toisaalta tuo aika on kuitenkin ollut yksi Dylanin parhaista niin pitihän se satsata ja ostaa se 2 cd:n versio kuitenkin:
DISC 1
1. Love Minus Zero/No Limit - Take 2 (1/13/1965) acoustic
2. Ill Keep It with Mine - Take 1 (1/13/1965) piano demo
3. Bob Dylans 115th Dream - Take 2 (1/13/1965) solo acoustic
4. She Belongs to Me - Take 1 (1/13/1965) solo acoustic
5. Subterranean Homesick Blues - Take 1 (1/14/1965) alternate take
6. Outlaw Blues - Take 2 (1/13/1965) alternate take
7. On the Road Again - Take 4 (1/14/1965) alternate take
8. Farewell, Angelina - Take 1 (1/13/1965) solo acoustic
9. If You Gotta Go, Go Now - Take 2 (1/15/1965) alternate take
10. You Dont Have to Do That - Take 1 (1/13/1965) solo acoustic
11. California - Take 1 (1/13/1965) solo acoustic
12. Mr. Tambourine Man - Take 3 (1/15/1965) with band, incomplete
13. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 (6/15/1965) alternate take
14. Like a Rolling Stone - Take 5 (6/15/1965) rehearsal
15. Like a Rolling Stone - Take 11 (6/16/1965) alternate take
16. Sitting on a Barbed Wire Fence - Take 2 (6/15/1965) unreleased take
17. Medicine Sunday - Take 1 (10/5/1965) early version of Temporary Like Achilles
18. Desolation Row - Take 2 (8/4/1965) piano demo
19. Desolation Row - Take 1 (8/4/1965) alternate take
DISC 2
1. Tombstone Blues - Take 1 (7/29/1965) alternate take
2. Positively 4th Street - Take 5 (7/29/1965) alternate take
3. Can You Please Crawl Out Your Window - Take 1 (7/30/1965) alternate take
4. Just Like Tom Thumbs Blues - Take 3 (8/2/1965) rehearsal
5. Highway 61 Revisited - Take 3 (8/2/1965) alternate take
6. Queen Jane Approximately - Take 5 (8/2/1965) alternate take
7. Visions of Johanna - Take 5 (11/30/1965) rehearsal
8. Shes Your Lover Now - Take 6 (1/21/1966) rehearsal
9. Lunatic Princess - Take 1 (1/27/1966)
10. Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966) alternate take
11. One of Us Must Know (Sooner or Later) - Take 19 (1/25/1966) alternate take
12. Stuck Inside of Mobile with the Memphis Blues Again - Take 13 (2/17/1966) alternate take
13. Absolutely Sweet Marie - Take 1 (3/7/1966) alternate take
14. Just Like a Woman - Take 4 (3/8/1966) alternate take
15. Pledging My Time - Take 1 (3/8/1966) alternate take
16. I Want You - Take 4 (3/10/1966) alternate take
17. Highway 61 Revisited Take 7 (8/2/1965) false start
<@Tupou> jätkä haukkuu itse muita karkeiksi
<@DBGene> senkin karkki
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Kuka uskaltaa kääntää? Kuka uskaltaa esittää? Luvassa levyllinen Bob Dylania suomeksi
missä liimanarina?
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Hyvä kysymys. Liimanarinan omintakainen tulkinta olisi varmasti ollut paikallaan.
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bob dylan 75 v. tänään
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Ei muuta ku hbd Bob & don't look back :salut:
Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?
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and when Finland play hockey
it strikes that continue my
beer machine and Ukko Metso
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Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?
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And the Nobel Prize for Literature goes to pic.twitter.com/Vki8MhgTfV
— Joel Gunter (@joelmgunter) 13. lokakuuta 2016
Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?
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Uuh
Minun ihana hevonen,
Et poni enää,
Juoksentelemaan miehen selkää,
Kuin junan yöllä.
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lol
Ei mitään muttia, kaikki boikottiin saatana!!
Security Fee:n hinnalla sisään!
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Kaiken maailman poppareille menevät nämä kirjallisuuspalkinnot nykyään. Kyllä olisi palkinto pitänyt antaa oikealle kirjailijalle niinkuin vaikka Laila Hirvisaarelle. Tai jos hän on jo saanut, niin uudestaan.
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Kaiken maailman poppareille menevät nämä kirjallisuuspalkinnot nykyään. Kyllä olisi palkinto pitänyt antaa oikealle kirjailijalle niinkuin vaikka Laila Hirvisaarelle. Tai jos hän on jo saanut, niin uudestaan.
tunteet elikkäs fiilikset, ne on aitoja, niistä kannattaa pitää kiinni
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EndloseAngst wrote:Kaiken maailman poppareille menevät nämä kirjallisuuspalkinnot nykyään. Kyllä olisi palkinto pitänyt antaa oikealle kirjailijalle niinkuin vaikka Laila Hirvisaarelle. Tai jos hän on jo saanut, niin uudestaan.
Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?
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Iltasanomien kommenttipalstalta:
"Roskaa. Siinä näkee mikä tuo nobel on. Annetaan kaikille, jotka eivät pidä Trumpista ??"
Kai se totta on. Minäkään en pidä Trumpista eivätkä muutkaan nobel-voittajat, jotka tunnen.
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EndloseAngst
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John Lennonille rauhanpalkinto
Älä päästä painiks sitä
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Onko Dylan-tuntija jo tavoitettu?
Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?
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Onko Dylan-tuntija jo tavoitettu?
Minun ihana hevonen,
Et poni enää,
Juoksentelemaan miehen selkää,
Kuin junan yöllä.
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Tuli kahtottua tollanen epävirallinen Rolling Thunder Revue -live dvd. Alun perin ilmeisesti joku tv-taltiointi ja samalta keikalta löytyy matskua Hard Rain -livelevyllä. Aika hämmentävä tapaus, biisit on mm. tekstitetty japaniksi(?) ja lopussa keikka katkeaa kuin seinään kesken Knockin' on Heaven's Doorin
Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?
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Bob Dylan - Banquet Speech
© The Nobel Foundation 2016.
General permission is granted for immediate publication in editorial contexts, in print or online, in any language within two weeks of December 10, 2016. Thereafter, any publication requires the consent of the Nobel Foundation. On all publications in full or in major parts the above copyright notice must be applied.Banquet speech by Bob Dylan given by the United States Ambassador to Sweden Azita Raji, at the Nobel Banquet, 10 December 2016.
Good evening, everyone. I extend my warmest greetings to the members of the Swedish Academy and to all of the other distinguished guests in attendance tonight.
I'm sorry I can't be with you in person, but please know that I am most definitely with you in spirit and honored to be receiving such a prestigious prize. Being awarded the Nobel Prize for Literature is something I never could have imagined or seen coming. From an early age, I've been familiar with and reading and absorbing the works of those who were deemed worthy of such a distinction: Kipling, Shaw, Thomas Mann, Pearl Buck, Albert Camus, Hemingway. These giants of literature whose works are taught in the schoolroom, housed in libraries around the world and spoken of in reverent tones have always made a deep impression. That I now join the names on such a list is truly beyond words.
I don't know if these men and women ever thought of the Nobel honor for themselves, but I suppose that anyone writing a book, or a poem, or a play anywhere in the world might harbor that secret dream deep down inside. It's probably buried so deep that they don't even know it's there.
If someone had ever told me that I had the slightest chance of winning the Nobel Prize, I would have to think that I'd have about the same odds as standing on the moon. In fact, during the year I was born and for a few years after, there wasn't anyone in the world who was considered good enough to win this Nobel Prize. So, I recognize that I am in very rare company, to say the least.
I was out on the road when I received this surprising news, and it took me more than a few minutes to properly process it. I began to think about William Shakespeare, the great literary figure. I would reckon he thought of himself as a dramatist. The thought that he was writing literature couldn't have entered his head. His words were written for the stage. Meant to be spoken not read. When he was writing Hamlet, I'm sure he was thinking about a lot of different things: "Who're the right actors for these roles?" "How should this be staged?" "Do I really want to set this in Denmark?" His creative vision and ambitions were no doubt at the forefront of his mind, but there were also more mundane matters to consider and deal with. "Is the financing in place?" "Are there enough good seats for my patrons?" "Where am I going to get a human skull?" I would bet that the farthest thing from Shakespeare's mind was the question "Is this literature?"
When I started writing songs as a teenager, and even as I started to achieve some renown for my abilities, my aspirations for these songs only went so far. I thought they could be heard in coffee houses or bars, maybe later in places like Carnegie Hall, the London Palladium. If I was really dreaming big, maybe I could imagine getting to make a record and then hearing my songs on the radio. That was really the big prize in my mind. Making records and hearing your songs on the radio meant that you were reaching a big audience and that you might get to keep doing what you had set out to do.
Well, I've been doing what I set out to do for a long time, now. I've made dozens of records and played thousands of concerts all around the world. But it's my songs that are at the vital center of almost everything I do. They seemed to have found a place in the lives of many people throughout many different cultures and I'm grateful for that.
But there's one thing I must say. As a performer I've played for 50,000 people and I've played for 50 people and I can tell you that it is harder to play for 50 people. 50,000 people have a singular persona, not so with 50. Each person has an individual, separate identity, a world unto themselves. They can perceive things more clearly. Your honesty and how it relates to the depth of your talent is tried. The fact that the Nobel committee is so small is not lost on me.
But, like Shakespeare, I too am often occupied with the pursuit of my creative endeavors and dealing with all aspects of life's mundane matters. "Who are the best musicians for these songs?" "Am I recording in the right studio?" "Is this song in the right key?" Some things never change, even in 400 years.
Not once have I ever had the time to ask myself, "Are my songs literature?"
So, I do thank the Swedish Academy, both for taking the time to consider that very question, and, ultimately, for providing such a wonderful answer.
My best wishes to you all,
Bob Dylan
Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?
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No ensi vuonna tämän palkinnon voittaa joku muu niin unohtuu tämän vuoden Nobel palkinto jippu juhla ja lahjan saanti jippu sekasotkut.
bzort glorf bööth
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Ti ho detto come una volta un po' di vino, dischi in vinile, sequel, ragazze, ragazze, Kauko Röyhkä?
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