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vuonna 2014 ilmestynyt "juhlalevy" 21 again on ihan mainio tupla-cd, vierailijoita piisaa ja kokonaisuus ehkä hieman sekava, mutta joukossa on ihan helmiäkin. vois taas tsekkailla näitä enemmänkin.
myykääs joku mulle niun niggung cd
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21 again soi taas, miten onkin välillä unohtunut, koska parasta kamaa mitä nää on tehneet (von südenfedin ohella). onhan mulla näiltä pari muutakin levyä, vois niitäkin taas kuunnella, kuha löytäis jostain, levykokoelmani ei ole ihan järjestyksessä...
jos jollain on näiden levyjä myynnissä niin ostan.
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vuonna 2014 ilmestynyt "juhlalevy" 21 again on ihan mainio tupla-cd, vierailijoita piisaa ja kokonaisuus ehkä hieman sekava, mutta joukossa on ihan helmiäkin. vois taas tsekkailla näitä enemmänkin.
myykääs joku mulle niun niggung cd
niun niggung ostettu jo ajat sitten ja mitenkäs täällä ei ole mainittu viime vuotista AAI-levyä?
luulisi että edes laatu tekoälypäissään olisi tästä maininnut
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Kumma ettei tässä vuosien mittaan kukaan ole maininnut vuoden 2012 levyä Parastrophics, ihan parasta pörinää ja muljuttelua
Karhut feissiin kuule tää on se reitti hä ...ja kerran eräs naarassusi melkein mun kengille kusi
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In spring 1994 Mouse on Mars contributed an exclusive piece to Sähkö Recordings’ ambient radio project, a one-week public radio program that was aired citywide in Helsinki, Finland. Andi Toma and Jan St. Werner recorded sounds in and around their studio in Düsseldorf Bilk to construct one continuous composition that spanned the course of one neighborhood walk. Midi-controlled synths, samplers, analogue effects, tape delays, effect pedals, guitars and a jew’s harp were juxtaposed with recordings captured during the walk. An additional microphone that pointed out of the studio window was occasionally dubbed into the mix. The resulting collage was broadcast just a few months before the group’s debut album Vulvaland came out and never aired again. 30 years into the band’s existence Andi Toma and Jan St. Werner revise the duo’s history by producing three LPs that would place the band’s discography under a slightly different light. Bilk marks the beginning of that investigation: a free-flowing assemblage of everything that vibrates and can be caught on tape. A 30 year old recording with subtle new edits and additions.
releases September 22, 2023
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microstorian uudelleenjulkaisu pitänee täällä mainita, kahden ekan levyn uusintajulkaisutupla ilmestyy näillä hetkillä
Microstoria was founded in 1994 by Markus Popp (of Oval) and Jan St. Werner (of Mouse on Mars)
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2017 ilmestyi näköjään kolmen biisin maxi-ep nimeltä synaptics, lähti halvalla ja samoilla posteilla kun tilailin juuri sen aphexin didgeridoon uuden tuplapainoksen. nerokasta kamaa:
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SONIG - October 25 release date
Mouse on Mars - Herzog Sessions LP $32 (Sonig)
"In 2007 an Italian film festival invites Mouse on Mars to score a film of their choice. The organizers claim to be able to clear the rights for any movie the band chooses. Werner Herzog's fictional documentary Fata Morgana, which merges footage of several desert explorations by Herzog and his team into one continuous association, has long been a band's favorite. The film comes with a soundtrack by Mozart, Leonard Cohen, Third Ear Band and field recordings. Andi Toma and Jan St. Werner are sent a DVD to Düsseldorf and start working. The idea is to score the film in real time so instrumentation has to be readily at hand: guitar, percussion, electronics, mouth harp, pedals, software, tapes, samplers. Once the arrangement for the three-part film is sorted Mouse on Mars bring their score to stage. Herzog Sessions is performed twice: first when the band still thought the rights had been cleared, and a second time at London's Southbank Center knowing that Herzog would have never approved a new score. Filmed in 1971, Fata Morgana is perhaps not one of Herzog's best-known works, but then Mouse on Mars have never been ones to embrace the mainstream, quietly letting their modern, experimental take on krautrock do the talking over the years, thus producing some quietly brilliant electronica that far outweighs their modest profile. The film itself is not altogether dissimilar to the wonderful, Phillip Glass-scored Koyaanisqatsi, with sweeping landscape shots and no obvious plot or narrative, though Fata is concentrated purely in one place - in and around the Sahara Desert, switching from images of barren wasteland to desert tribes and dead, skeletal cattle. The obvious thing to do when soundtracking such powerful imagery is to vie for dreamy electronic soundscapes which can be sustained for a long period, and whilst this ambient shoegaze approach was present and correct (also carefully constructed and highly effective), Mouse on Mars added a human element to the performance, incorporating a live dimension by using and looping guitars, harmonicas, processed vocals and even a live horn player for the final section of the film. Some of the most interesting points arose when the duo suddenly switched from solemn, ambient tones to glitchy, bouncing electro (reminiscent of their more upbeat work) whilst on the same film shot - causing the audience mood to flick from tripped-out bliss to attentive semi-wired, utterly subverting any idea of a narrative the film may have possessed."
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herzog sessions ilmestyi tänään (bandcamp ja vinyyli)
viime vuoden lopulla ilmestyi muuten tämmöinen mainio digi-ep nimeltä 3D-LS:
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vähän kokeellisempaa kampetta:
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